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The spectacle 2.0 : reading Debord in the context of digital capitalism /
Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debord's original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept withi...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
University of Westminster Press,
2017.
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| Colección: | CDSMS (Series)
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The spectacle 2.0 : |b reading Debord in the context of digital capitalism / |c edited by Marco Briziarelli and Emiliana Armano. |
| 260 | |a London : |b University of Westminster Press, |c 2017. | ||
| 300 | |a 1 online resource (xi, 239 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 490 | 1 | |a CDSMS (Critical digital and social media studies) | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Preface : Guy Debord, Donald Trump, and the politics of the spectacle / Douglas Kellner -- Introduction : from the notion of spectacle to Spectacle 2.0 : the dialectic of capitalist mediations / Marco Briziarelli and Emiliana Armano -- Part I. Conceptualizing the spectacle -- The integrated spectacle : towards aesthetic capitalism / Vanni Codeluppi -- Guy Debord, a critique of modernism and Fordism : what lessons for today? / Olivier Frayssé -- The spectacle of new media : addressing the conceptual nexus between user content and valorization / Raffaele Sciortino and Steve Wright -- Spectacle and the singularity : Debord and the 'autonomous movement of non-life' in digital capitalism / Clayton Rosati -- Part II. Phenomenology and historicisation of the spectacle : from Debord to the Spectacle 2.0 -- Rio de Janeiro : spectacularization and subjectivities in Globo's city / Barbara Szaniecki -- Data derives : confronting digital geographic information as spectacle / Jim Thatcher and Craig M. Dalton -- Branding, selfbranding, making : the neototalitarian relation between spectacle and prosumers in the age of cognitive capitalism / Nello Barile -- Tin hat games : producing, funding, and consuming an independent role-playing game in the age of the interactive spectacle / Chiara Bassetti, Maurizio Teli and Annalisa Murgia -- 'Freelancing' as spectacular free labour : a case study on independent digital journalists in Romania / Romina Surugiu -- Immaterial labour and reality TV : the affective surplus of excess / Jacob Johanssen -- Disrupting the spectacle : the case of Capul TV during and after Turkey's Gezi uprising / Ergin Bulut and Haluk Mert Bal. | |
| 520 | |a Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debord's original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour. It is argued that the Spectacle 2.0 form operates as the interactive network that links through one singular (but contradictory) language and various imaginaries, uniting diverse productive contexts such as logistics, finance, new media and urbanism. Spectacle 2.0 thus colonizes most spheres of social life by processes of commodification, exploitation and reification. Diverse contributors consider the topic within the book's two main sections: Part I conceptualizes and historicizes the Spectacle in the context of informational capitalism; contributions in Part II offer empirical cases that historicise the Spectacle in relation to the present (and recent past) showing how a Spectacle 2.0 approach can illuminate and deconstruct specific aspects of contemporary social reality. All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies. In the era of the gig-economy, highly mediated content and President Trump, Debord's concept is arguably more relevant than ever. | ||
| 536 | |a University of Westminster | ||
| 506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
| 540 | |a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. |5 WlAbNL | ||
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Debord, Guy, |d 1931-1994 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Debord, Guy, |d 1931-1994 |2 fast |
| 650 | 0 | |a Spectacular, The. | |
| 650 | 0 | |a Social psychology. | |
| 650 | 0 | |a Capitalism. | |
| 650 | 0 | |a Social classes. | |
| 650 | 2 | |a Psychology, Social | |
| 650 | 2 | |a Social Class | |
| 650 | 6 | |a Spectaculaire. | |
| 650 | 6 | |a Psychologie sociale. | |
| 650 | 6 | |a Classes sociales. | |
| 650 | 7 | |a social psychology. |2 aat | |
| 650 | 7 | |a social classes. |2 aat | |
| 650 | 7 | |a Cultural studies. |2 bicssc | |
| 650 | 7 | |a Humanities. |2 bicssc | |
| 650 | 7 | |a Media studies. |2 bicssc | |
| 650 | 7 | |a Philosophy. |2 bicssc | |
| 650 | 7 | |a Political science and theory. |2 bicssc | |
| 650 | 7 | |a Politics and government. |2 bicssc | |
| 650 | 7 | |a Social and political philosophy. |2 bicssc | |
| 650 | 7 | |a Society and culture: general. |2 bicssc | |
| 650 | 7 | |a Society and social sciences Society and social sciences. |2 bicssc | |
| 650 | 7 | |a Sociology and anthropology. |2 bicssc | |
| 650 | 7 | |a Sociology. |2 bicssc | |
| 650 | 7 | |a Sociology: work and labour. |2 bicssc | |
| 650 | 7 | |a Social psychology |2 fast | |
| 650 | 7 | |a Social classes |2 fast | |
| 650 | 7 | |a Capitalism |2 fast | |
| 650 | 7 | |a Spectacular, The |2 fast | |
| 653 | |a Commodification | ||
| 653 | |a Digital capitalism | ||
| 653 | |a Digital labour | ||
| 653 | |a Guy Debord | ||
| 653 | |a Media studies | ||
| 653 | |a Spectacle | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Briziarelli, Marco, |e editor. | |
| 700 | 1 | |a Armano, Emiliana, |e editor. | |
| 776 | 0 | |z 1911534440 | |
| 830 | 0 | |a CDSMS (Series) | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv5vdd8n |z Texto completo |
| 938 | |a OAPEN Foundation |b OPEN |n 641510 | ||
| 994 | |a 92 |b IZTAP | ||