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The insistence of art : aesthetic philosophy after early modernity /

"Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addre...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Kottman, Paul A., 1970- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Fordham University Press, 2017.
Edición:First edition.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The insistence of art :  |b aesthetic philosophy after early modernity /  |c edited by Paul. A. Kottman. 
250 |a First edition. 
264 1 |a New York, NY :  |b Fordham University Press,  |c 2017. 
264 4 |c Ã2017 
300 |a 1 online resource (304 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
520 |a "Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses that gap, elaborating the extent to which artworks and practices of the fifteenth through the eighteenth centuries were accompanied by an immense range of discussions about the arts and their relation to one another"--  |c fordhampress WWW site. 
588 |a Description based on online resource; title from PDF title page (fordhampress WWW site, viewed July 21, 2020). 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry -- 1. Allegory, Poetic Theology, and Enlightenment Aesthetics -- 2. Object Lessons: Reification and Renaissance Epitaphic Poetry -- 3. How Do We Recognize Metaphysical Poetry? -- 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder's Shakespeare Studies -- 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare -- 6. "All Art Constantly Aspires to the Condition of Music" -- Except the Art of Music: Reviewing the Contest of the Sister Arts -- 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome -- 8. Strokes of Wit: Theorizing Beauty in Baroque Italy -- 9. Goya: Secularization and the Aesthetics of Belief. 
542 1 |f This work is licensed by Knowledge Unlatched under a Creative Commons license  |u https://creativecommons.org/licenses/by/4.0/legalcode 
546 |a In English. 
590 |a JSTOR  |b Books at JSTOR Open Access 
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650 0 |a Aesthetics, Modern  |x Philosophy. 
650 0 |a Art  |x Philosophy. 
650 6 |a Art  |x Philosophie. 
650 7 |a PHILOSOPHY  |x Metaphysics.  |2 bisach 
650 7 |a PHILOSOPHY  |x Metaphysics.  |2 bisacsh 
650 7 |a PHILOSOPHY  |x Aesthetics.  |2 bisacsh 
650 7 |a Aesthetics, Modern.  |2 fast  |0 (OCoLC)fst00798800 
650 7 |a Art  |x Philosophy.  |2 fast  |0 (OCoLC)fst00815307 
655 7 |a Essays.  |2 fast  |0 (OCoLC)fst01919922 
700 1 |a Kottman, Paul A.,  |d 1970-  |e editor. 
776 0 8 |i Print version: Insistence of art : aesthetic philosophy after early modernity  |z 9780823275816 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1x76fts  |z Texto completo 
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