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Cut-pieces : celluloid obscenity and popular cinema in Bangladesh /
Imagine watching an action film in a small-town cinema hall in Bangladesh, and in between the gun battles and fistfights, a short pornographic clip appears. This is known as a cut-piece, a strip of locally made celluloid pornography surreptitiously spliced into the reels of action films in Banglades...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
[2013]
|
| Colección: | South Asia across the disciplines.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hoek, Lotte, |e author. | |
| 245 | 1 | 0 | |a Cut-pieces : |b celluloid obscenity and popular cinema in Bangladesh / |c Lotte Hoek. |
| 264 | 1 | |a New York : |b Columbia University Press, |c [2013] | |
| 300 | |a 1 online resource (xii, 252 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a text file | ||
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| 490 | 1 | |a South Asia Across the Disciplines | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Imagine watching an action film in a small-town cinema hall in Bangladesh, and in between the gun battles and fistfights, a short pornographic clip appears. This is known as a cut-piece, a strip of locally made celluloid pornography surreptitiously spliced into the reels of action films in Bangladesh. Exploring the shadowy world of these clips and their place in South Asian film culture, Lotte Hoek builds a rare, detailed portrait of the production, consumption, and cinematic pleasures of stray celluloid. Hoek's innovative ethnography plots the making and reception of Mintu the Murderer (2005), | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Note on Transliteration, Translation, and Pseudonyms -- |t Acknowledgments -- |t Introduction: Before Mintu the Murderer -- |t 1. Writing Gaps -- |t 2. A Handheld Cam era Twist ed Rapidly -- |t 3. Actress /Character -- |t 4. Cutting and Splicing -- |t 5. Noise -- |t 6. Unstable Celluloid -- |t Conclusion -- |t Notes -- |t Bibliography -- |t Index -- |t Backmatter -- |t Frontmatter -- |t Contents -- |t Note on Transliteration, Translation, and Pseudonyms -- |t Acknowledgments -- |t Introduction: Before Mintu the Murderer -- |t 1. Writing Gaps -- |t 2. A Handheld Cam era Twist ed Rapidly -- |t 3. Actress /Character -- |t 4. Cutting and Splicing -- |t 5. Noise -- |t 6. Unstable Celluloid -- |t Conclusion -- |t Notes -- |t Bibliography -- |t Index -- |t Backmatter. |
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Motion pictures in ethnology |z Bangladesh. | |
| 650 | 0 | |a B films |z Bangladesh. | |
| 651 | 0 | |a Bangladesh |x Social life and customs. | |
| 650 | 6 | |a Cinéma en ethnologie |z Bangladesh. | |
| 650 | 6 | |a Films de série B |z Bangladesh. | |
| 650 | 7 | |a POLITICAL SCIENCE |x Public Policy |x Cultural Policy. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Popular Culture. |2 bisacsh | |
| 650 | 7 | |a B films |2 fast | |
| 650 | 7 | |a Manners and customs |2 fast | |
| 650 | 7 | |a Motion pictures in ethnology |2 fast | |
| 651 | 7 | |a Bangladesh |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Hoek, Lotte. |t Cut-pieces |z 9780231162883 |w (DLC) 2013011066 |w (OCoLC)824353160 |
| 830 | 0 | |a South Asia across the disciplines. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7312/hoek16288 |z Texto completo |
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