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Killer tapes and shattered screens : video spectatorship from VHS to file sharing /
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2013.
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| Colección: | UPCC book collections on Project MUSE. Film, Theater and Performing Arts.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: opening up to home video
- Distributing The dead: George A. Romero and the evolution of the video spectator
- Addressing the "new flesh": videodrome's format war
- Reprotechnophobia: putting an end to analog abjection with the ring
- Going, going, grindhouse: simulacral cinematicity and post-cinematic spectatorship
- Paranormal spectatorship: faux footage horror and the P2P spectator
- Conclusion: power play.