Killer tapes and shattered screens : video spectatorship from VHS to file sharing /

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Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Benson-Allott, Caetlin Anne (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, 2013.
Colección:UPCC book collections on Project MUSE. Film, Theater and Performing Arts.
Temas:
Technology in motion pictures.
Cinematography > Technological innovations.
Horror films > History and criticism.
Motion picture audiences.
Video recordings > Production and direction > Data processing.
Digital video > Production and direction > Data processing.
Video recordings industry.
Technologie au cinéma.
Cinéma > Innovations.
Films d'horreur > Histoire et critique.
Cinéma > Publics.
Vidéo > Production et réalisation > Informatique.
Vidéo > Industrie.
ART > Film & Video.
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Film & Video > General.
Cinematography > Technological innovations
Horror films
Motion picture audiences
Technology in motion pictures
Video recordings industry
Video recordings > Production and direction > Data processing
Motion pictures.
Criticism, interpretation, etc.
Films.
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