|
|
|
|
LEADER |
00000cam a2200000Ii 4500 |
001 |
JSTOR_ocn780318876 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr mn||||||||| |
008 |
120316t20122012ncua ob 001 0 eng d |
040 |
|
|
|a CUS
|b eng
|e rda
|e pn
|c CUS
|d NDD
|d YDXCP
|d COO
|d CDX
|d OCLCQ
|d MHW
|d OCLCO
|d E7B
|d N$T
|d OCLCF
|d OCLCO
|d IDEBK
|d OCLCQ
|d OCLCO
|d OCL
|d OCLCQ
|d OCLCO
|d OCLCQ
|d IOG
|d MERUC
|d CNCGM
|d OTZ
|d COCUF
|d OCLCQ
|d OCLCO
|d YOU
|d OCLCQ
|d LEAUB
|d OCLCO
|d AU@
|d OCL
|d SFB
|d BRX
|d W2U
|d JSTOR
|d OSU
|d OCLCQ
|d OCLCO
|d DEGRU
|d OCLCE
|d OCLCO
|d OCLCQ
|
019 |
|
|
|a 785336692
|a 792794696
|a 1055218301
|a 1067181521
|a 1082918001
|a 1125570751
|a 1136286902
|a 1153027504
|a 1167452466
|a 1202624196
|a 1296545314
|
020 |
|
|
|a 9780822394693
|q (electronic bk.)
|
020 |
|
|
|a 0822394693
|q (electronic bk.)
|
020 |
|
|
|a 9786613523631
|
020 |
|
|
|a 6613523631
|
020 |
|
|
|a 9781280119583
|
020 |
|
|
|a 1280119586
|
020 |
|
|
|z 9780822350996
|q (cloth ;
|q alk. paper)
|
020 |
|
|
|z 0822350998
|q (cloth ;
|q alk. paper)
|
020 |
|
|
|z 9780822351085
|q (pbk. ;
|q alk. paper)
|
020 |
|
|
|z 0822351080
|q (pbk. ;
|q alk. paper)
|
024 |
8 |
|
|a 9786613523631
|
024 |
7 |
|
|a 10.1515/9780822394693
|2 doi
|
029 |
1 |
|
|a AU@
|b 000062465411
|
035 |
|
|
|a (OCoLC)780318876
|z (OCoLC)785336692
|z (OCoLC)792794696
|z (OCoLC)1055218301
|z (OCoLC)1067181521
|z (OCoLC)1082918001
|z (OCoLC)1125570751
|z (OCoLC)1136286902
|z (OCoLC)1153027504
|z (OCoLC)1167452466
|z (OCoLC)1202624196
|z (OCoLC)1296545314
|
037 |
|
|
|a 352363
|b MIL
|
037 |
|
|
|a 22573/ctv114f2pr
|b JSTOR
|
042 |
|
|
|a dlr
|
050 |
|
4 |
|a ML3916
|b .P673 2012
|
072 |
|
7 |
|a MUS
|x 029000
|2 bisacsh
|
072 |
|
7 |
|a MUS
|x 020000
|2 bisacsh
|
082 |
0 |
4 |
|a 781.64/159
|
049 |
|
|
|a UAMI
|
245 |
0 |
0 |
|a Pop when the world falls apart :
|b music in the shadow of doubt /
|c edited by Eric Weisbard
|
264 |
|
1 |
|a Durham ;
|a London :
|b Duke University Press,
|c 2012
|
264 |
|
4 |
|c ©2012
|
300 |
|
|
|a 1 online resource (xi, 292 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a text file
|b PDF
|2 rda
|
500 |
|
|
|a "An EMP Museum publication."
|
520 |
|
|
|a Hearing Elvis Presley, Bob Dylan once said, was "like busting out of jail." But what happens when popular music isn't as simple as rock-and-roll rebellion? How does pop respond to such events as a decade-long war in Iraq and Hurricane Katrina? In Pop When the World Falls Apart, a diverse array of music writers, scholars, and enthusiasts reflect on popular music's role--as commentary, as refuge, and as rallying cry--in times of military conflict, social upheaval, and cultural crisis. Drawn from presentations at the annual Experience Music Project Pop Conference--hailed by Robert Christgau as "the best thing that's ever happened to serious consideration of pop music"--The essays in this book include inquiries into the sonic dimension of war in Iraq; the cultural life of jazz in post-Katrina New Orleans; Isaac Hayes's reappropriation of a country song, "By the Time I Get to Phoenix," as a symbol of black nationalism; and punk rock pranks played on record execs looking for the next big thing in central Virginia. Offering a diverse range of voices, perspectives, and approaches, this volume mirrors the eclecticism of pop itself
|
504 |
|
|
|a Includes bibliographical references and index
|
505 |
0 |
|
|a Introduction / Eric Weisbard -- Collapsing distance: the love-song of the wanna-be, or the fannish auteur / Jonathan Lethem -- Black rockers vs. blackies who rock, or the difference between race and music / Greg Tate -- Toward an ethics of knowing nothing / Alexandra T. Vazquez -- Divided byline: how a student of Leslie Fiedler and a colleague of Charles Keil became the ghostwriter for everybody from Ray Charles to Cornel West / David Ritz -- Boring and horrifying whiteness: the rise and fall of reaganism as prefigured by the career arcs of Carpenters, Lawrence Welk, and the Beach Boys in 1973-74 / Tom smucker -- Perfect is dead: Theodor Adorno, Karen Carpenter, and the radio, or if hooks could kill / Eric Lott -- Agents of orange: Studio K and Cloud 9 / Karen Tongson -- Belliphonic sounds and indoctrinated ears: the dynamics of military listening in wartime Iraq / J. Martin Daughtry -- Since the flood: scenes from the fight for New Orleans jazz culture / Larry Blumenfeld -- (Over the) Rainbow warrior: Israel Kamakawiwole and another kind of somewhere / Nate Chinen -- Travel with me: country music, race, and remembrance / Diane Pecknold -- The comfort zone: shaping the retro-soul audience / Oliver Wang -- Within limits: on the greatness of magic slim / Carlo Rotella -- Urban music in the teenage heartland / Brian Boedde, Austin Bunn, and Elena Passarello -- Death to racism and punk revisionism?: Alice Bag's vexing voice and the unspeakable influence of canción ranchera on Hollywood punk / Michelle Gabell-Pallán -- Of wolves and vibrancy: a brief exploration of the marriage made in hell between folk music, dead cultures, myth, and highly technical modern extreme metal / Scott Seward -- The new market affair: media pranks, the music industrys last big gold rush, and the hunt for hits in the Shenandoah valley / Kembrew Mcleod -- All that is solid melts into schmaltz: poptimism vs. the guilty displeasure / Carl Wilson
|
546 |
|
|
|a English.
|
588 |
0 |
|
|a Print version record
|
506 |
|
|
|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
533 |
|
|
|a Electronic reproduction.
|b [Place of publication not identified]:
|c HathiTrust Digital Library.
|d 2022.
|5 MiAaHDL
|
538 |
|
|
|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
|
|a digitized
|c 2022.
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
650 |
|
0 |
|a Music
|x Social aspects
|x History
|y 20th century.
|
650 |
|
0 |
|a Music
|x Social aspects
|x History
|y 21st century.
|
650 |
|
0 |
|a Popular music
|x History and criticism.
|
650 |
|
6 |
|a Musique
|x Aspect social
|x Histoire
|y 20e siècle.
|
650 |
|
6 |
|a Musique
|x Aspect social
|x Histoire
|y 21e siècle.
|
650 |
|
6 |
|a Musique populaire
|x Histoire et critique.
|
650 |
|
7 |
|a MUSIC
|x Genres & Styles
|x Pop Vocal.
|2 bisacsh
|
650 |
|
7 |
|a MUSIC
|x History & Criticism.
|2 bisacsh
|
650 |
|
7 |
|a Music.
|2 eflch
|
650 |
|
7 |
|a Music
|x Social aspects.
|2 fast
|0 (OCoLC)fst01030444
|
650 |
|
7 |
|a Popular music.
|2 fast
|0 (OCoLC)fst01071422
|
648 |
|
7 |
|a 1900-2099
|2 fast
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
700 |
1 |
|
|a Weisbard, Eric.
|
776 |
0 |
8 |
|i Print version:
|t Pop when the world falls apart.
|d Durham ; London : Duke University Press, 2012
|z 9780822350996
|z 0822350998
|w (DLC) 2011048245
|w (OCoLC)748336615
|
830 |
|
0 |
|a e-Duke books scholarly collection.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1168bm5
|z Texto completo
|
938 |
|
|
|a Coutts Information Services
|b COUT
|n 21786108
|
938 |
|
|
|a ebrary
|b EBRY
|n ebr10539568
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 599153
|
938 |
|
|
|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n 352363
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 7501627
|
938 |
|
|
|a De Gruyter
|b DEGR
|n 9780822394693
|
994 |
|
|
|a 92
|b IZTAP
|