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|a UAMI
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|a At full speed :
|b Hong Kong cinema in a borderless world /
|c Esther C.M. Yau, editor.
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|a Minneapolis :
|b University of Minnesota Press,
|c ©2001.
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|a 1 online resource (vii, 342 pages) :
|b illustrations
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|a text
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|a data file
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|a Includes bibliographical references (pages 311-322) and index.
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|a Print version record.
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|a 0816632359_Surekha.pdf; Contents; Acknowledgments; Introduction: Hong Kong Cinema in a Borderless World; Part I. Hong Kong's New Wave Cinema; 1. An Overview of Hong Kong's New Wave Cinema; 2. The Emergence of the Hong Kong New Wave; Part ll. In Action: Entertainment, Aesthetics, and Reinventions; 3. Aesthetics in Action: Kungfu, Gunplay, and Cinematic Expressivity; 4. The Killer: Cult Film and Transcultural (Mis)Reading; 5. Life Imitates Entertainment: Home and Dislocation in the Films of Jackie Chan; 6. Tsui Hark: National Style and Polemic.
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|a Breathtaking swordplay and nostalgic love, Peking opera and Chow Yun-Fat's cult followers--these are some of the elements of the vivid and diverse urban imagination that find form and expression in the thriving Hong Kong cinema. All receive their due in At Full Speed, a volume that captures the remarkable range and energy of a cinema that borrows, invents, and reinvents across the boundaries of time, culture, and conventions.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Motion pictures
|z China
|z Hong Kong
|x History.
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|a Cinéma
|z Chine
|z Hongkong
|x Histoire.
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Motion pictures
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|a China
|z Hong Kong
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|a HONG KONG
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|a TSUI, HARK
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|a ORIENTAL ACTION FILMS
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|a ACTION FILMS. HONG KONG
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|a WONG, KAR-WAI
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|a CHAN, JACKIE
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|a HUI, ANN
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|a DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989)
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|a History
|2 fast
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|a Yau, Ching-Mei Esther.
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|u https://jstor.uam.elogim.com/stable/10.5749/j.ctttv5g1
|z Texto completo
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