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Scapeland : writing the landscape from Diderot's Salons to the postmodern museum /
Scapeland: Writing the Landscape from Diderot's Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot's eighteenth-century French Salons, through art criticism by Baudelaire and Breton, to Jean-...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; New York, NY :
Rodopi,
2012.
|
| Colección: | Faux titre ;
383. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Pierce, Gillian Borland, |d 1966- | |
| 245 | 1 | 0 | |a Scapeland : |b writing the landscape from Diderot's Salons to the postmodern museum / |c Gillian B. Pierce. |
| 260 | |a Amsterdam ; |a New York, NY : |b Rodopi, |c 2012. | ||
| 300 | |a 1 online resource (240 pages) : |b illustrations (some color). | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Faux titre ; |v 383 | |
| 505 | 0 | |a Landscape and the sublime, or, The art of nature -- Les limites de l'imitation : Diderot and the Salons -- Baudelaire's Parisian cityscape : Charles Meryon and Le spleen de Paris -- Mapping the city as dreamscape : André Breton and le pointe sublime -- "Scapeland" : the sublime and Lyotard's Les immatériaux. | |
| 504 | |a Includes bibliographical references (pages 229-240). | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Scapeland: Writing the Landscape from Diderot's Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot's eighteenth-century French Salons, through art criticism by Baudelaire and Breton, to Jean-François Lyotard's postmodern exhibition Les Immatériaux . In the Salons, an exploration of the painted landscape becomes an encounter with both the limits of representation and the infinite possibilities of fiction. Baudelaire and Breton explore similar limits in their work, set against the backdrop of the. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Sublime, The, in literature. | |
| 650 | 0 | |a Spectators in literature. | |
| 650 | 0 | |a Landscapes in literature. | |
| 650 | 0 | |a French literature |x History and criticism. | |
| 650 | 6 | |a Sublime dans la littérature. | |
| 650 | 6 | |a Paysages dans la littérature. | |
| 650 | 6 | |a Littérature française |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x French. |2 bisacsh | |
| 650 | 7 | |a French literature |2 fast | |
| 650 | 7 | |a Landscapes in literature |2 fast | |
| 650 | 7 | |a Spectators in literature |2 fast | |
| 650 | 7 | |a Sublime, The, in literature |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Pierce, Gillian Borland, 1966- |t Scapeland. |d Amsterdam ; New York, NY : Rodopi, 2012 |z 9042035943 |z 9789042035942 |
| 830 | 0 | |a Faux titre ; |v 383. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=562535 |z Texto completo |
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