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Noise channels : glitch and error in digital culture /
To err is human; to err in digital culture is design. In the glitches, inefficiencies, and errors that ergonomics and usability engineering strive to surmount, Peter Krapp identifies creative reservoirs of computer-mediated interaction. Throughout new media cultures, he traces a resistance to the he...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
©2011.
|
| Colección: | Electronic mediations ;
v. 37. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Krapp, Peter. | |
| 245 | 1 | 0 | |a Noise channels : |b glitch and error in digital culture / |c Peter Krapp. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©2011. | ||
| 300 | |a 1 online resource (xx, 162 pages) | ||
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| 490 | 1 | |a Electronic mediations ; |v v. 37 | |
| 520 | |a To err is human; to err in digital culture is design. In the glitches, inefficiencies, and errors that ergonomics and usability engineering strive to surmount, Peter Krapp identifies creative reservoirs of computer-mediated interaction. Throughout new media cultures, he traces a resistance to the heritage of motion studies, ergonomics, and efficiency; in doing so, he shows how creativity is stirred within the networks of digital culture. Noise Channels offers a fresh look at hypertext and tactical media, tunes into laptop music, and situates the emergent forms of computer gaming and machinima. | ||
| 504 | |a Includes bibliographical references (pages 113-157) and index. | ||
| 505 | 0 | |a Hypertext and its anachronisms -- Terror and play, or What was hacktivism? -- Noise floor : between tinnitus and raw data -- Gaming the glitch : room for error -- Machinima and the suspensions of animation. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Computers |x Social aspects. | |
| 650 | 0 | |a Cyberspace |x Social aspects. | |
| 650 | 0 | |a Digital media |x Philosophy. | |
| 650 | 0 | |a Software failures. | |
| 650 | 0 | |a Serendipity. | |
| 650 | 6 | |a Ordinateurs |x Aspect social. | |
| 650 | 6 | |a Cyberespace |x Aspect social. | |
| 650 | 6 | |a Médias numériques |x Philosophie. | |
| 650 | 6 | |a Bogues (Informatique) | |
| 650 | 6 | |a Sérendipité. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 650 | 7 | |a Computers |x Social aspects |2 fast | |
| 650 | 7 | |a Cyberspace |x Social aspects |2 fast | |
| 650 | 7 | |a Digital media |x Philosophy |2 fast | |
| 650 | 7 | |a Serendipity |2 fast | |
| 650 | 7 | |a Software failures |2 fast | |
| 758 | |i has work: |a Noise channels (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG8ggMBB9vymDky6R47TBK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| 830 | 0 | |a Electronic mediations ; |v v. 37. | |
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