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on1242880226 |
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OCoLC |
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20231005004200.0 |
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m o d |
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cr cnu---unuuu |
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210322s2020 enk o 000 0 eng d |
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|b eng
|e rda
|e pn
|c N$T
|d OCLCO
|d UKAHL
|d UKMGB
|d OCL
|d OCLCQ
|d OCLCO
|d OCLCQ
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|a GBC0F6630
|2 bnb
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|a 019973410
|2 Uk
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|a 1240717638
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|a 9781787694910
|q (electronic bk.)
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|q (electronic bk.)
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|a 9781787694897
|q (e-book)
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|z 1787694909
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|z 9781787694903
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1 |
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|a UKMGB
|b 019973410
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|a (OCoLC)1242880226
|z (OCoLC)1240717638
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| 037 |
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|a 9781787694910
|b Emerald Publishing
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|a e-uk-en
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| 050 |
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4 |
|a ML3492.8.C36
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| 082 |
0 |
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|a 781.64094223409046
|2 23
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| 049 |
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|a UAMI
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| 245 |
0 |
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|a CANTERBURY SOUND IN POPULAR MUSIC :
|b scene, identity and myth.
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| 264 |
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1 |
|a LONDON :
|b EMERALD Group PUBL,
|c 2020.
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| 300 |
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|a 1 online resource (1 volume)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
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|a Emerald studies in popular music and place
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|a Print version record.
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|a Trying to Remember the Good Stuff: An extended Foreword; Asya Draganova with Robert Wyatt Introduction and leitmotifs; Asya Draganova, Shane Blackman and Andy Bennett PART I. EMERGENCE, SOUND AND SCENE Chapter 1. The Canterbury Sound as a Local, Translocal and Virtual Scene; Andy Bennett Chapter 2. The Canterbury Sound -- From the beginning; Brian Hopper Chapter 3. The Canterbury Scenius; Murray Smith PART II. JOURNEYS AND RETURNS Chapter 4. From Canterbury to Kamijima: a musical journey; Dave Sinclair Chapter 5. Unicorns, uniforms and the Canterbury Sound; Jack Hues Chapter 6. Canterbury paths through the States; Rick Chafen Chapter 7. From a fan's point of view; Richard Dove PART 3. PEOPLE Chapter 8. Locating Robert Wyatt: Canterbury Sound and quintessential Englishness; Marcus O'Dair Chapter 9. A view from across the desk -- An engineer's personal perspective of the Canterbury Scene; David Woolgar Chapter 10. The Sinclair Spectrum and Pathways of Artistic Influence; Billie Bottle Chapter 11. 'Songs from the bottom of a well' or Morpheus in the underworld: some thoughts on the music and lyrics of Kevin Ayers; Neil Saunders Chapter 12. Biographical Interviews and Reflections: ethnographic conversations from within the Canterbury Sound; Curated by Asya Draganova and Shane Blackman; Interviews with Geoffrey Richardson, Pye Hastings, Neil Sullivan and Maria Sullivan PART IV. DOCUMENTING MUSIC PRACTICES Chapter 13. Researching and documenting the scene -- online and offline; Aymeric Leroy Chapter 14. The story of Facelift -- a fanzine exploring the Canterbury scene and beyond in the pre-internet age -- and its role in knitting together an international community of fans; Phil Howitt Chapter 15. 'Canterbury music' and music in Canterbury; Alan Payne PART V. MYTHS AND REALITIES: MUSIC IN CONTEMPORARY CANTERBURY Chapter 16. Contemporary pocket music scene in Canterbury: an ethnographic study on D.I.Y. student bands; Mengyao Jiang Chapter 17. Free Range: a Canterbury Scene; Sam Bailey Chapter 18. Blue Gems and Colliding Moons: furthering the Canterbury Underground; Adam Brodigan Chapter 19. Humour and gender of the 'mischievous imaginary' within the Canterbury Sound of Soft Machine, Gong and Caravan; Shane Blackman and Asya Draganova Afterword: Three personal reflections on the muse of the Canterbury Sound; Asya Draganova, Shane Blackman and Andy Bennett.
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| 590 |
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|a Emerald Insight
|b Emerald All Book Titles
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| 650 |
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0 |
|a Popular music
|z England
|z Canterbury
|x History and criticism.
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| 650 |
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0 |
|a Psychedelic rock music
|z England
|z Canterbury
|x History and criticism.
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| 650 |
|
0 |
|a Progressive rock music
|z England
|z Canterbury
|x History and criticism.
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| 650 |
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0 |
|a Jazz
|z England
|z Canterbury
|x History and criticism.
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| 651 |
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0 |
|a Canterbury (England)
|x History
|y 20th century.
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| 651 |
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0 |
|a Canterbury (England)
|x Social life and customs
|y 20th century.
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| 650 |
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6 |
|a Musique populaire
|z Angleterre
|z Canterbury
|x Histoire et critique.
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| 650 |
|
6 |
|a Musique psychédélique
|z Angleterre
|z Canterbury
|x Histoire et critique.
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| 650 |
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6 |
|a Rock progressif
|z Angleterre
|z Canterbury
|x Histoire et critique.
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| 650 |
|
7 |
|a Jazz.
|2 fast
|0 (OCoLC)fst00982165
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| 650 |
|
7 |
|a Manners and customs.
|2 fast
|0 (OCoLC)fst01007815
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| 650 |
|
7 |
|a Popular music.
|2 fast
|0 (OCoLC)fst01071422
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| 650 |
|
7 |
|a Progressive rock music.
|2 fast
|0 (OCoLC)fst01078743
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| 650 |
|
7 |
|a Psychedelic rock music.
|2 fast
|0 (OCoLC)fst01080980
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| 651 |
|
7 |
|a England
|z Canterbury.
|2 fast
|0 (OCoLC)fst01207174
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| 648 |
|
7 |
|a 1900-1999
|2 fast
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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| 776 |
0 |
8 |
|i Print version:
|t CANTERBURY SOUND IN POPULAR MUSIC.
|d LONDON : EMERALD GROUP PUBL, 2020
|z 1787694909
|w (OCoLC)1191699848
|
| 856 |
4 |
0 |
|u https://emerald.uam.elogim.com/insight/publication/doi/10.1108/9781787694897
|z Texto completo
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| 938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH37657542
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| 938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH37657540
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| 938 |
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|a EBSCOhost
|b EBSC
|n 2570359
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| 994 |
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|a 92
|b IZTAP
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