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Provenance and Early Cinema /

Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, ""How did these moving images get here for me to see them?This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cin...

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Détails bibliographiques
Autres auteurs: Stutz, Olivia Kristina (Collaborateur), Daugaard, Noemi (Collaborateur), Christie, Ian (Collaborateur), Ingravalle, Grazia (Collaborateur), Lacasse, Germain (Collaborateur), Blot-Wellens, Camille (Collaborateur), Yumibe, Joshua (Éditeur intellectuel), Williams, Tami, 1970- (Éditeur intellectuel), Cherchi Usai, Paolo (Éditeur intellectuel), Bernardi, Joanne (Éditeur intellectuel)
Format: Électronique eBook
Langue:Inglés
Publié: Bloomington : Indiana University Press, 2021.
Collection:Book collections on Project MUSE.
Sujets:
Accès en ligne:Texto completo
Description
Résumé:Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, ""How did these moving images get here for me to see them?This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.
Description:Appendix: Dryden Theatre Screening Program.
Description based upon print version of record.
Description matérielle:1 online resource (430 pages): illustrations
ISBN:9780253053008