Provenance and Early Cinema /

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Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, ""How did these moving images get here for me to see them?This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cin...

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Bibliographic Details
Other Authors: Stutz, Olivia Kristina (Contributor), Daugaard, Noemi (Contributor), Christie, Ian (Contributor), Ingravalle, Grazia (Contributor), Lacasse, Germain (Contributor), Blot-Wellens, Camille (Contributor), Yumibe, Joshua (Editor), Williams, Tami, 1970- (Editor), Cherchi Usai, Paolo (Editor), Bernardi, Joanne (Editor)
Format: Electronic eBook
Language:Inglés
Published: Bloomington : Indiana University Press, 2021.
Series:Book collections on Project MUSE.
Subjects:
Art > Provenance.
PERFORMING ARTS / Film & Video / History & Criticism
Electronic books.
Online Access:Texto completo
Description
Summary:Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, ""How did these moving images get here for me to see them?This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.
Item Description:Appendix: Dryden Theatre Screening Program.
Description based upon print version of record.
Physical Description:1 online resource (430 pages): illustrations
ISBN:9780253053008

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