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Hip-Hop in Africa : Prophets of the City and Dustyfoot Philosophers /

"In Hip-Hop in Africa, Msia Kibona Clark examines some of Africa's biggest hip-hop scenes and shows how hip-hop helps us understand specifically African narratives of social, political, and economic realities. Clark looks at the use of hip-hop in protest, both as a means of articulating so...

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Detalles Bibliográficos
Autor principal: Clark, Msia Kibona (Autor)
Otros Autores: Adomako Ampofo, Akosua (author of afterword.), Williams, Quentin (author of foreword.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Athens, Ohio : Ohio University Press, [2018]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Clark, Msia Kibona,  |e author. 
245 1 0 |a Hip-Hop in Africa :   |b Prophets of the City and Dustyfoot Philosophers /   |c Msia Kibona Clark ; foreword by Quentin Williams ; afterword by Akosua Adomako Ampofo. 
264 1 |a Athens, Ohio :  |b Ohio University Press,  |c [2018] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©[2018] 
300 |a 1 online resource (312 pages):   |b chiefly color illustrations ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Ohio University research in international studies. Global and comparative studies series ;  |v No. 18 
520 |a "In Hip-Hop in Africa, Msia Kibona Clark examines some of Africa's biggest hip-hop scenes and shows how hip-hop helps us understand specifically African narratives of social, political, and economic realities. Clark looks at the use of hip-hop in protest, both as a means of articulating social problems and as a tool for mobilizing listeners around those problems. She also details the spread of hip-hop culture in Africa following its emergence in the United States, assessing the impact of urbanization and demographics on the spread of hip-hop culture. Hip-Hop in Africa is a tribute to a genre and its artists as well as a timely examination that pushes the study of music and diaspora in critical new directions."--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Culture populaire  |z Afrique.  |2 ram 
650 7 |a Rap  |z Afrique  |x Histoire et critique.  |2 ram 
650 7 |a Rap  |x Aspect social  |z Afrique.  |2 ram 
650 7 |a Musikethnologie  |2 gnd 
650 7 |a Hip-Hop  |2 gnd 
650 7 |a MUSIC / History & Criticism.  |2 bisacsh 
650 7 |a Rap (Music)  |x Social aspects.  |2 fast  |0 (OCoLC)fst01089957 
650 7 |a Rap (Music)  |2 fast  |0 (OCoLC)fst01089951 
650 7 |a Hip-hop.  |2 fast  |0 (OCoLC)fst00957237 
650 7 |a Popular culture.  |2 fast  |0 (OCoLC)fst01071344 
650 0 |a Popular culture  |z Africa. 
650 0 |a Hip-hop  |z Africa. 
650 0 |a Rap (Music)  |z Africa  |x History and criticism. 
650 0 |a Rap (Music)  |x Social aspects  |z Africa. 
651 7 |a Subsaharisches Afrika  |2 gnd 
651 7 |a Africa.  |2 fast  |0 (OCoLC)fst01239509 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Adomako Ampofo, Akosua,  |e author of afterword. 
700 1 |a Williams, Quentin,  |e author of foreword. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/99392/ 
945 |a Project MUSE - Custom Collection