Music, Postcolonialism, and Gender : The Construction of Irish National Identity, 1724-1874 /

Detalles Bibliográficos
Autor principal: Davis, Leith, 1960-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Notre Dame, Ind. : University of Notre Dame Press, 2006.
Colección:Book collections on Project MUSE.
Temas:
Popular culture.
Music.
Gender identity.
Identite sexuelle > Irlande.
Culture populaire > Irlande > Histoire.
Musique > Irlande > 19e siecle > Histoire et critique.
Musique > Irlande > 18e siecle > Histoire et critique.
Gender identity > Ireland.
Popular culture > Ireland > History.
Music > Ireland > 19th century > History and criticism.
Music > Ireland > 18th century > History and criticism.
Ireland.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Nation and notation : Irish music and print culture in the eighteenth century
  • Harping on the past : Joseph Cooper Walker's historical memoirs of the Irish bards and the "horizontal brotherhood" of the Irish nation
  • "The united powers of female poesy and music" : Charlotte Brooke's reliques of Irish poetry
  • Sequels of colonialism : Edward Bunting, the ancient Irish music, and the cultural politics of performance
  • Patriotism and "woman's sentiment" in Sydney Owenson's Hibernian melodies and The wild Irish girl
  • A "truly national" project : Thomas Moore's Irish melodies and the gendering of the British cultural marketplace
  • In Moore's wake : Irish music in Ireland after the Irish melodies
  • Irish music, British culture, and the transatlantic experience.

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