Dockside Reading : Hydrocolonialism and the Custom House /

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"Isabel Hofmeyr traces the relationship between print culture, colonialism, and the ocean through the institution of the late-nineteenth- and early twentieth-century British colonial custom houses, which acted as censors and pronounced on copyright and checked imported printed matter for piracy...

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Détails bibliographiques
Auteur principal: Hofmeyr, Isabel (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Durham : Duke University Press, 2022.
Collection:Book collections on Project MUSE.
Sujets:
Postcolonialism.
Politics and government.
Colonies > Administration.
British colonies.
Books and reading.
HISTORY / Africa / South / Republic of South Africa.
LITERARY CRITICISM / Semiotics & Theory.
Marks of origin > Social aspects.
Copyright > Colonies > Great Britain.
Censorship > Colonies > Great Britain.
Books and reading > Colonies > Great Britain.
Customhouses > Colonies > Great Britain.
Customs inspection > Colonies > Great Britain.
South Africa > Cape of Good Hope.
Great Britain.
Africa.
Cape of Good Hope (South Africa) > Politics and government > 1910-1994.
Cape of Good Hope (South Africa) > Politics and government > 1872-1910.
Great Britain > Colonies > Africa > Administration.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Introduction: Hydrocolonialism : the view from the dockside
  • The custom house and hydrocolonial governance
  • Customs and objects on a hydrocolonial frontier
  • Copyright on a hydrocolonial frontier
  • Censorship on a hydrocolonial frontier
  • Conclusion: Dockside genres and postcolonial literature.

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