Memory Effects : The Holocaust and the Art of Secondary Witnessing /

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Publisher's description: Dora Apel analyzes the ways in which artists born after the Holocaust--whom she calls secondary witnesses--represent a history they did not experience first hand. She demonstrates that contemporary artists confront these atrocities in order to bear witness not to the Ho...

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Bibliographic Details
Main Author: Apel, Dora, 1952-
Format: Electronic eBook
Language:Inglés
Published: New Brunswick, N.J. : Rutgers University Press, 2002.
Series:Book collections on Project MUSE.
Subjects:
Wolin, Jeffrey.
Vainshtein, Marina.
Silas, Susan.
Schreiber, Rachel.
Marton, Pier.
Levin, Mikael.
Hartmann, Erich.
Girson, Matthew.
Friedman, James.
Frenkel, Vera, > 1938-
Brenner, Frederic.
Attie, Shimon, > 1957-
Holocaust, Jewish (1939-1945), in art.
Jewish art.
Holocaust.
Kunst.
Tweede generatie.
Herinneringen.
Joden.
Kunst
Judenvernichtung > Motiv
Holocaust, Jewish (1939-1945) in art.
Holocauste, 1939-1945, dans l'art.
Art juif.
Electronic books.
Online Access:Texto completo
Table of Contents:
  • The artist as secondary witness
  • A short history of Holocaust reception
  • Picturing the vanished/transgressing the present
  • The reinvention of memory
  • Appropriating the testimonial form
  • Landscape and the search for memory
  • Fetishized Nazism and erotic fantasy
  • The tattooed Jew.

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