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210317t20212021cau o 00 0 eng d |
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|z 2021012961
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|a 9781606067536
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|z 9781606067444
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|z 9781606067451
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|a (OCoLC)1245957179
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|a MdBmJHUP
|c MdBmJHUP
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| 245 |
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|a A Maya Universe in Stone /
|c edited by Stephen Houston.
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| 264 |
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1 |
|a Los Angeles, California :
|b Getty Research Institute,
|c [2021]
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| 264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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| 264 |
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4 |
|c ©[2021]
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| 300 |
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|a 1 online resource (192 pages):
|b illustrations (black and white, and colour), maps ;
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 505 |
0 |
0 |
|t Orphaned Carvings /
|r Stephen Houston --
|t Lamb's Journey and the "Lost City" /
|r Andrew Scherer, Charles Golden, and Stephen Houston --
|t A Sculptor at Work /
|r Stephen Houston, Andrew Scherer, Karl Taube --
|t Seasonal Gods and Cosmic Rulers /
|r Stephen Houston, David Stuart, and Karl Taube.
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| 520 |
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|a "The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala"--
|c Provided by publisher.
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| 520 |
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|a "In 1950, Dana Lamb, an explorer of some notoriety, stumbled on a Maya ruin in the tropical forests of northern Guatemala. Lamb failed to record the location of the site he called Laxtunich, turning his find into the mystery at the center of this book. The lintels he discovered there, long since looted, are probably of a set with two others that are among the masterworks of Maya sculpture from the Classic period. Using fieldwork, physical evidence, and Lamb's expedition notes, the authors identify a small area with archaeological sites where the carvings were likely produced. Remarkably, the vividly colored lintels, replete with dynastic and cosmic information, can be assigned to a carver, Mayuy, who sculpted his name on two of them. To an extent nearly unique in ancient America, Mayuy can be studied over time as his style developed and his artistic ambition grew. An in-depth analysis of Laxtunich Lintel 1 examines how Mayuy grafted celestial, seasonal, and divine identities onto a local magnate and his overlord from the kingdom of Yaxchilan, Mexico. This volume contextualizes the lintels and points the way to their reprovenancing and, as an ultimate aim, repatriation to Guatemala"--
|c Back cover.
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| 588 |
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|a Description based on print version record.
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| 650 |
|
7 |
|a Stone carving.
|2 fast
|0 (OCoLC)fst01133837
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| 650 |
|
7 |
|a Mayas
|x Antiquities.
|2 fast
|0 (OCoLC)fst01012778
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| 650 |
|
7 |
|a Maya sculpture.
|2 fast
|0 (OCoLC)fst01012743
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| 650 |
|
7 |
|a Lintels.
|2 fast
|0 (OCoLC)fst00999303
|
| 650 |
|
7 |
|a Antiquities.
|2 fast
|0 (OCoLC)fst00810745
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| 650 |
|
7 |
|a HISTORY / Latin America / Pre-Columbian Era.
|2 bisacsh
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| 650 |
|
7 |
|a SOCIAL SCIENCE / Archaeology.
|2 bisacsh
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| 650 |
|
7 |
|a ART / Indigenous Art of the Americas.
|2 bisacsh
|
| 650 |
|
6 |
|a Mayas
|z Guatemala
|x Antiquites.
|
| 650 |
|
6 |
|a Sculpture maya
|z Guatemala.
|
| 650 |
|
0 |
|a Mayas
|z Guatemala
|x Antiquities.
|
| 650 |
|
0 |
|a Lintels
|z Guatemala
|x History
|y To 1500.
|
| 650 |
|
0 |
|a Stone carving
|z Guatemala
|x History
|y To 1500.
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| 650 |
|
0 |
|a Maya sculpture
|z Guatemala.
|
| 651 |
|
7 |
|a Guatemala.
|2 fast
|0 (OCoLC)fst01205154
|
| 651 |
|
6 |
|a Guatemala
|x Antiquites.
|
| 651 |
|
0 |
|a Guatemala
|x Antiquities.
|
| 655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
| 655 |
|
7 |
|a Electronic books.
|2 local
|
| 700 |
1 |
|
|a Coe, Michael D.,
|e dedicatee.
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| 700 |
1 |
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|a Houston, Stephen D.,
|e editor.
|
| 700 |
1 |
2 |
|i Container of (work):
|a Houston, Stephen D.
|t Orphaned carvings.
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| 710 |
2 |
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|a Getty Research Institute,
|e issuing body.
|
| 710 |
2 |
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|a Project Muse.
|e distributor
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| 830 |
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0 |
|a Book collections on Project MUSE.
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| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/94498/
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| 945 |
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|a Project MUSE - Custom Collection
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| 945 |
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|a Project MUSE - 2021 Complete
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| 945 |
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|a Project MUSE - 2021 Archaeology and Anthropology
|