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Dreaming with Open Eyes : Opera, Aesthetics, and Perception in Arcadian Rome /

"Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith re-evaluates significant aspects of the Arcadi...

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Detalles Bibliográficos
Autor principal: Smith, Ayana O., 1973- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2018]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Smith, Ayana O.,  |d 1973-  |e author. 
245 1 0 |a Dreaming with Open Eyes :   |b Opera, Aesthetics, and Perception in Arcadian Rome /   |c Ayana O. Smith. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2018] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 0000 
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300 |a 1 online resource (342 pages). 
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505 0 |a Founding Arcadia : the aesthetics of verisimilitude and Buon gusto -- Performing L'Endimione : a history and reappraisal of Guidi's Favola pastorale -- Reading the classics : intellectual and cultural resonances in Gravina's Discorso sopra L'Endimione (1691; publ. 1692) -- Reconciling icon, mythos, and tupos : the role of images in L'Endimione? -- Believing in opera : visual modes in Alessandro Scarlatti's La Statira (Rome, 1690) -- Deceiving the eye : mirror, statue, and stone in Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693) -- Epilogue, constructing gender and politics : Queen Christina's image. 
520 |a "Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith re-evaluates significant aspects of the Arcadian reform aesthetic, and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background, and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith's interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures."--Provided by publisher. 
588 |a Description based on print version record. 
600 1 0 |a Scarlatti, Alessandro,  |d 1660-1725.  |t Statira. 
600 1 0 |a Pollarolo, Carlo Francesco,  |d approximately 1653-1723.  |t Forza della virtù. 
650 7 |a Symbolism in opera.  |2 fast  |0 (OCoLC)fst01748732 
650 7 |a Opera.  |2 fast  |0 (OCoLC)fst01046145 
650 7 |a HISTORY / Europe / Italy  |2 bisacsh 
650 7 |a MUSIC / Printed Music / Vocal  |2 bisacsh 
650 7 |a MUSIC / Lyrics  |2 bisacsh 
650 7 |a MUSIC / Instruction & Study / Voice  |2 bisacsh 
650 6 |a Opera  |z Italie  |y 17e siecle  |x Philosophie et esthetique. 
650 6 |a Opera  |z Italie  |y 17e siecle. 
650 0 |a Symbolism in opera. 
650 0 |a Opera  |z Italy  |y 17th century  |x Philosophy and aesthetics. 
650 0 |a Opera  |z Italy  |y 17th century. 
651 7 |a Italy.  |2 fast  |0 (OCoLC)fst01204565 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/88768/ 
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