The End of Landscape in Nineteenth-Century America /

"The End of Landscape in Nineteenth-Century America examines the dissolution of landscape painting in the late nineteenth-century United States. Focusing on the unorthodox artworks of four painters--Albert Bierstadt, Martin Johnson Heade, Ralph Blakelock, and Abbott Thayer--Maggie M. Cao propos...

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Bibliographic Details
Main Author: Cao, Maggie M., 1983- (Author)
Format: Electronic eBook
Language:Inglés
Published: Oakland, California : University of California Press, [2018]
Series:Book collections on Project MUSE.
Subjects:
Sargent, John Singer, > 1856-1925 > Criticism and interpretation.
Thayer, Abbott Handerson, > 1849-1921 > Criticism and interpretation.
Blakelock, Ralph Albert, > 1847-1919 > Criticism and interpretation.
Church, Frederic Edwin, > 1826-1900 > Criticism and interpretation.
Heade, Martin Johnson, > 1819-1904 > Criticism and interpretation.
Bierstadt, Albert, > 1830-1902 > Criticism and interpretation.
Thayer, Abbott Handerson, > 1849-1921.
Sargent, John Singer, > 1856-1925.
Heade, Martin Johnson, > 1819-1904.
Church, Frederic Edwin, > 1826-1900.
Blakelock, Ralph Albert, > 1847-1919.
Bierstadt, Albert, > 1830-1902.
Landscape painting, American > 19th century.
Landschaftsmalerei
Landscape painting, American.
ART > General.
Peinture de paysages americaine > 19e siecle.
USA
Criticism, interpretation, etc.
Electronic books.
Online Access:Texto completo
Table of Contents:
  • Prologue : What end?
  • Introduction : inventions and failures
  • Closure : Albert Bierstadt's last pictures
  • Sabotage : Martin Johnson Heade and Frederic Church
  • Insolvency : Ralph Blakelock's economic accretion
  • Camouflage : Abbott Thayer and John Singer Sargent
  • Afterword : un-landing landscape.

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