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Indirect Subjects : Nollywood's Local Address /
"In Indirect Subjects, Matthew H. Brown argues that screen media can play spatial roles in global power relations. Brown focuses on Nollywood, Nigeria's commercial film industry, which emerged in the 1990s, but places it in the context of other local screen media, particularly state televi...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2021.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 003 | MdBmJHUP | ||
| 005 | 20230905052808.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 210806s2021 ncu o 00 0 eng d | ||
| 010 | |z 2020056101 | ||
| 020 | |a 9781478021506 | ||
| 020 | |z 9781478013280 | ||
| 020 | |z 9781478014195 | ||
| 035 | |a (OCoLC)1262993321 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Brown, Matthew H., |d 1979- |e author. | |
| 245 | 1 | 0 | |a Indirect Subjects : |b Nollywood's Local Address / |c Matthew H. Brown. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2021. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2021 | |
| 264 | 4 | |c ©2021. | |
| 300 | |a 1 online resource (326 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Subjects of indirect rule : Nigeria, cinema, and liberal empire -- Emergency of the state : television, pedagogical imperatives, and the village headmaster -- "No romance without finance" : feminine melodrama, soap opera, and the male breadwinner ideal -- Breadlosers : masculine melodrama, money magic, and the moral occult economy -- Specters of sovereignty : epic, gothic, and the ruins of a past that never was -- "What's wrong with 419?" : comedy, corruption, and conspiratorial mirrors. | |
| 520 | |a "In Indirect Subjects, Matthew H. Brown argues that screen media can play spatial roles in global power relations. Brown focuses on Nollywood, Nigeria's commercial film industry, which emerged in the 1990s, but places it in the context of other local screen media, particularly state television, which has been a feature of Nigerian culture since the 1960s."-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Motion picture industry. |2 fast |0 (OCoLC)fst01027150 | |
| 650 | 7 | |a Mass media |x Political aspects. |2 fast |0 (OCoLC)fst01011278 | |
| 650 | 7 | |a Mass media policy. |2 fast |0 (OCoLC)fst01011412 | |
| 650 | 7 | |a Mass media and culture. |2 fast |0 (OCoLC)fst01011339 | |
| 650 | 7 | |a PERFORMING ARTS / Film / History & Criticism. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Media Studies. |2 bisacsh | |
| 650 | 0 | |a Mass media policy |z Nigeria. | |
| 650 | 0 | |a Mass media |x Political aspects |z Nigeria |x History. | |
| 650 | 0 | |a Mass media and culture |z Nigeria |x History. | |
| 650 | 0 | |a Motion picture industry |z Nigeria |x History. | |
| 650 | 0 | |a Motion pictures |z Nigeria |x History. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 651 | 7 | |a Nigeria. |2 fast |0 (OCoLC)fst01205229 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/85624/ |
| 945 | |a Project MUSE - Custom Collection | ||