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German Song Onstage : Lieder Performance in the Nineteenth and Early Twentieth Centuries /
"A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style...
| Other Authors: | , |
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| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
Bloomington, Indiana :
Indiana University Press,
[2020]
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| Series: | Book collections on Project MUSE.
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| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- ǂt "Eine wahre Olla Patrida [sic]": Anna Milder-Hauptmann, Schubert, and programming the Orient / ǂr Susan Youens
- ǂt Song in concert as observed by the Schumans: toward the personalization of the public stage / ǂr Benjamin Binder
- ǂt From miscellanies to musical works: Julius Stockhausen, Clara Schumann, and Dichterliebe / ǂr Natasha Loges
- ǂt Natalia Macfarren and the English German lied / ǂr Katy Hamilton
- ǂt "For any ordinary performer it would be absurd, ridiculous, or offensive": performing lieder cycles on the American stage / ǂr Heather Platt
- ǂt The concert hall as a gender-neutral space: the case of Amalie Joachim, nee Schneeweiss / ǂr Beatrix Borchard ; translated by Jeremy Coleman
- ǂt Nikolai Medtner: championing the German lied and Russian spirit / ǂr Maria Razumovskaya
- ǂt From the benefit concert to the solo song recital in London, 1870-1914 / ǂr Simon McVeigh and William Weber
- ǂt German song and the working classes in Berlin, 1980-1914 / ǂr Wiebke Rademacher
- ǂt Lili Lehmann's dedicated lieder recitals / ǂr Rosamund Cole
- ǂt "Eine Reihe bunter Zauberbilder": Thomas Mann, Hans Pfitzner, and the politics of song accompaniment / ǂr Nicholas Attfield
- ǂt Performers' reflections / ǂr Natasha Loges and Laura Tunbridge.