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210212s2021 be o 00 0 eng d |
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|a 9789461663764
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|z 9789462702684
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|a (OCoLC)1249269367
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|a MdBmJHUP
|c MdBmJHUP
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|a Photography's Materialities :
|b Transatlantic Photographic Practices over the Long Nineteenth Century /
|c Geoff Bender; Rasmus S. Simonsen.
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|a Leuven :
|b Leuven University Press
|c 2021.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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|c ©2021.
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|a 1 online resource (280 pages).
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|a text
|b txt
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|2 rdamedia
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|a online resource
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|a There is little dispute that photography is a material practice, and that the photograph itself is ineluctably material. And yet "matter", "material", and "materiality" have proven to be remarkably elusive terms of inquiry, frequently producing studies that are disparate in scope, sharing seemingly little common ground. Although the wide methodological range of materialist study can be dizzying, it is this book?s contention that that multiplicity is also the field?s greatest asset, keeping materialist inquiry enduringly vibrant - provided that varying methods are in close enough proximity to converse. 'Photography?s Materialities' orchestrates one such conversation. Juxtaposing the insights of theorists like Lacan, Benjamin, and Latour beside close studies of crime, spirit, and composite photography, among others, this collection aims for a productive synergy, one capacious enough to span transatlantic spaces over the long nineteenth century.
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|a Description based on print version record.
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|a Electronic books.
|2 local
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|a Simonsen, Rasmus S.
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|a Bender, Geoff.
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/83442/
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|a Project MUSE - Custom Collection
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|a Project MUSE - 2021 Complete
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|a Project MUSE - 2021 Art and Architecture
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