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Broadway Goes to War : American Theater during World War II /

"In Broadway Goes to War, Robert L. McLaughlin and Sally E. Parry analyze how American theater actively addressed and debated timely and controversial topics during World War II. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Ad...

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Detalles Bibliográficos
Autores principales: McLaughlin, Robert L., 1957- (Autor), Parry, Sally E. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington, Kentucky : University Press of Kentucky, [2021]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a McLaughlin, Robert L.,  |d 1957-  |e author. 
245 1 0 |a Broadway Goes to War :   |b American Theater during World War II /   |c Robert L. McLaughlin and Sally E. Parry. 
264 1 |a Lexington, Kentucky :  |b University Press of Kentucky,  |c [2021] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©[2021] 
300 |a 1 online resource (300 pages). 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a Popular culture, Broadway, and World War II -- Before Pearl Harbor -- Overseas -- The home front -- Anticipating the postwar world. 
520 |a "In Broadway Goes to War, Robert L. McLaughlin and Sally E. Parry analyze how American theater actively addressed and debated timely and controversial topics during World War II. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical topics about the conflict well before other forms of popular media. McLaughlin and Parry reveal that while film studios, radio stations, newspapers, and other media outlets widely chose to echo official government communications and opinions regarding Nazi Germany and the war, Broadway remained stunningly independent. In the absence of pressure from the US Office of War Information or an industry-based agency like Hollywood's Hayes Office, the New York stage became an important venue for debating topics that would have been considered taboo on a film set, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the US during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognized"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a War and theater.  |2 fast  |0 (OCoLC)fst01736385 
650 7 |a War and literature.  |2 fast  |0 (OCoLC)fst01170442 
650 7 |a Theater and society.  |2 fast  |0 (OCoLC)fst01149315 
650 7 |a Theater.  |2 fast  |0 (OCoLC)fst01149217 
650 7 |a Popular culture.  |2 fast  |0 (OCoLC)fst01071344 
650 7 |a American drama.  |2 fast  |0 (OCoLC)fst00806998 
650 0 |a Popular culture  |z United States  |x History  |y 20th century. 
650 0 |a Theater and society  |z United States. 
650 0 |a Theater  |z New York (State)  |z New York  |x History  |y 20th century. 
650 0 |a World War, 1939-1945  |z United States  |x Literature and the war. 
650 0 |a American drama  |y 20th century  |x History and criticism. 
650 0 |a War and theater  |z United States  |x History  |y 20th century. 
650 0 |a World War, 1939-1945  |x Theater and the war. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
651 7 |a New York (State)  |z New York.  |2 fast  |0 (OCoLC)fst01204333 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Parry, Sally E.,  |e author. 
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945 |a Project MUSE - 2021 Complete 
945 |a Project MUSE - 2021 Film, Theater and Dance