Crossing Bar Lines : The Politics and Practices of Black Musical Space /

Afficher d'autres versions (1)

"In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American impro...

Description complète

Détails bibliographiques
Auteur principal: Williams, James Gordon, 1970- (Auteur)
Autres auteurs: Kelley, Robin D. G. (writer of foreword.)
Format: Électronique eBook
Langue:Inglés
Publié: Jackson : University Press of Mississippi, [2021]
Collection:Book collections on Project MUSE.
Sujets:
Jazz.
African Americans > Music.
African Americans > Music > 21st century > History and criticism.
Jazz > Political aspects > United States > History > 21st century.
Jazz > 2011-2020 > History and criticism.
Jazz > 2001-2010 > History and criticism.
United States.
History.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Foreword / Robin D. G. Kelley
  • Introduction. Entering a theory of black musical space
  • Terence Blanchard and the politics of breathing
  • Billy Higgins in the zone : brushwork, breath, and imagination
  • The social science music of Terri Lyne Carrington
  • Ambrose Akinmusire's satchel of origami
  • Unified fragmentation : Andrew Hill's street theory of black musical space
  • Epilogue. The sonic archive of black spatiality.

Documents similaires