Cargando…
Slavery and the Post-Black Imagination /
"Slavery and the Post-Black Imagination brings the provocative category of post-blackness to bear on the past 30 years of artistic exploration into the afterlife of slavery as it continues to manifest in the United States. The selected essays cut across a broad spectrum of artistic media and ge...
| Autores principales: | , |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Seattle :
University of Washington Press,
2020.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- The Blackest Blackness: Slavery and the Satire of Kara Walker / Derek Conrad Murray
- Three-Fifths of a Black Life Matters Too: Four Neo-Slave Novels from the Year 'Post-Racial' Definitively Stopped Being a Thing / Derek C. Maus
- Whispering Racism in a Post-Racial World: Slavery and Postblackness in Paul Beatty's The Sellout / Cameron Leader-Picone
- Getting Graphic with Kindred: The Neo-Slave Narrative of the Black Lives Matter Movement / Mollie A. Godfrey
- "Stay Woke:" Post-Black Filmmaking and the Afterlife of Slavery in Jordan Peele's Get Out / Kimberly Nichele Brown
- The Song: Living with "Dixie" and the "Coon Space" of Post-Blackness / Chenjerai Kumanyika, Jack Hitt, and Chris Neary, with an introduction by Bertram D. Ashe
- Performing Slavery at the Turn of the Millennium: Stereotypes, Affect, and Theatricality in Branden Jacobs-Jenkins's Neighbors and Young Jean Lee's The Shipment / Ilka Saal
- Thylias Moss's Slave Moth: Liberatory Verse Narrative and Performance Art / Malin Pereira
- Plantation Memories: Cheryl Dunye's Representation of a Representation of American Slavery in The Watermelon Woman / Bertram D. Ashe
- "An Audience is a Mob on its Butt": Interview with Branden Jacobs-Jenkins /Bertram D. Ashe and Ilka Saal.