Revisiting Women's Cinema : Feminism, Socialism, and Mainstream Culture in Modern China /

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"Lingzhen Wang examines the work of Chinese women filmmakers of the Mao and post-Mao eras to theorize socialist and postsocialist feminism, mainstream culture, and women's cinema in modern China."--

Détails bibliographiques
Auteur principal: Wang, Lingzhen (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Durham : Duke University Press, 2020.
Collection:Book collections on Project MUSE.
Sujets:
Women motion picture producers and directors.
Women in motion pictures.
Motion pictures > Political aspects.
Motion pictures.
Feminist films.
Motion pictures > Political aspects > China > History > 20th century.
Feminist films > History and criticism.
Women motion picture producers and directors > China.
Motion pictures > China > History > 20th century.
China.
History.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Socialist Feminism and Socialist Culture Reconsidered: Institutionalized Practice, Proletarian Public Space, and Experimental Mainstream Cinema
  • The Articulation of Embedded Feminist Agency in Socialist Mainstream Cinema: Wang Ping and The Story of Liubao Village (1957)
  • Socialist Experimentalism, Critical Revision, and Gender Difference in Dong Kena's Small Grass Grows on the Kunlun Mountains (1962)
  • Independent Feminist Practice in 1980s Post-Mao China: The Gendered Personal, Sexual Difference, and Universal Female Consciousness Film Theory, Avant-gardism, and the Rise of Masculine Aesthetics in 1980s Chinese Mainstream Cinema
  • Alternative Experimental Cinema: Zhang Nuanxin's Socially Committed Mainstream Film Practice of the 1980s
  • The Black Silk Velvet Aesthetic: Universal Cultural Feminism and Chinese Neotraditionalism in Huang Shuqin's Woman Demon Human (1987)

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