The Cry of the Senses : Listening to Latinx and Caribbean Poetics /

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"In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis N...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ellis Neyra, Ren, 1983- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2020.
Colección:Dissident acts.
Book collections on Project MUSE.
Temas:
Art and race.
Performing arts and literature.
Queer theory.
Hispanic Americans > Ethnic identity.
Hispanic Americans in the performing arts.
Electronic books.
Acceso en línea:Texto completo

MARC

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020 |a 9781478012696 
020 |z 9781478011170 
020 |z 9781478010111 
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050 0 4 |a PN1590.H57 
082 0 |a 791.09729  |2 23 
100 1 |a Ellis Neyra, Ren,  |d 1983-  |e author. 
245 1 4 |a The Cry of the Senses :   |b Listening to Latinx and Caribbean Poetics /   |c Ren Ellis Neyra. 
264 1 |a Durham :  |b Duke University Press,  |c 2020. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2020. 
300 |a 1 online resource (252 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Dissident acts 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: Cry Bomba -- Chapter 1: "ŁAnormales!": Unruly Audition in Performances of 1970s Salsa -- Chapter 2: "I have been forced to hear a lot": The FALN, The Masses Are Asses, and the -- Shapes and Sounds of Defiant Women -- Chapter 3: Sensorial Errancy in Beatriz Santiago Muñóz's Cinema -- Chapter 4: Slow Lightning, Ecstatic Mourning, and Migratory Refuge -- Coda, in three: "fifty-two plastic bombs exploding as one, thundered against the sky" 
520 |a "In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies. They locate and address the sonic in its myriad manifestations-across genres and forms, in a legal trial, and in the art and writing of Xandra Ibarra, the Fania All-Stars, Beatriz Santiago Muñóz, Edouard Glissant, and Eduardo Corral - while demonstrating how it operates as a raucous form of diasporic dissent and connectivity. Throughout, Ellis Neyra emphasizes Caribbean and Latinx sensorial practices while attuning readers to the many forms of blackness and queerness. Tracking the sonic through their method of multi-sensorial, poetic listening, Ellis Neyra shows how attending to the senses can inspire alternate, ethical ways of collective listening and being"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 0 |a Art and race. 
650 0 |a Performing arts and literature. 
650 0 |a Queer theory. 
650 0 |a Hispanic Americans  |x Ethnic identity. 
650 0 |a Hispanic Americans in the performing arts. 
655 7 |a Electronic books.   |2 local 
776 1 8 |i Print version:  |a Ellis Neyra, Ren, 1983-  |t The cry of the senses  |d Durham : Duke University Press, 2020.  |z 9781478010111  |w (DLC) 2020018209 
710 2 |a Project Muse.  |e distributor 
830 0 |a Dissident acts. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/78743/ 
945 |a Project MUSE - Custom Collection 

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