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The Hysteric's Revenge : French Women Writers at the Fin de Siecle /

"This book argues, however, that the fear of sexual abandon--though real--veiled an even more insidious fear: that women might be capable of intellectual equality with men and thus pose a threat to the most basic structures of French patriarchal society. In demonstrating the pervasiveness of th...

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Detalles Bibliográficos
Autor principal: Mesch, Rachel
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Nashville, Tenn. : Vanderbilt University Press, 2006.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Hysteric's Revenge :   |b French Women Writers at the Fin de Siecle /   |c Rachel Mesch. 
264 1 |a Nashville, Tenn. :  |b Vanderbilt University Press,  |c 2006. 
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264 4 |c ©2006. 
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505 0 |a Literary science and the female subject : the brains behind Emile Zola's Nana -- Memoirs of the Fille Publique -- Virility and the intellectual woman : can a woman be a naturalist? -- Can a woman be a decadent? : Rachilde, gender and the male body -- The right to pleasure : sex and the sentimental novel. 
520 |a "This book argues, however, that the fear of sexual abandon--though real--veiled an even more insidious fear: that women might be capable of intellectual equality with men and thus pose a threat to the most basic structures of French patriarchal society. In demonstrating the pervasiveness of this anxiety through analysis of nineteenth-century medical texts, literary criticism, and fiction, The Hysteric's Revenge brings into relief a critical relationship between the female mind and body that is essential to understanding the discursive position of the turn-of-the-century woman writer. The novels presented here confront this mind/body problem through a wide variety of styles and genres that challenge conventional fin-de-siecle notions of femininity. From the compelling autobiography of Liane de Pougy--one of Paris's most renowned courtesans--to Colette's frank discussions of female pleasure in one of her early novels, to the violent creativity of Rachilde's androgynous heroine, Mesch demonstrates how both canonical and non-canonical writers promoted women's intellectual authority through the development of a sexual counter-discourse. In engaging the relationship between women's minds and bodies, these novels challenge the conclusions of a century of doctors who sought to prove a physiological basis for female intellectual inferiority. At the same time, they point the way towards later French feminists who sought to subvert patriarchal structures through literary explorations of sexuality."--Pub. description. 
588 |a Description based on print version record. 
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