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Inclusive Curating in Contemporary Art : A Practical Guide /
Recent decades have witnessed concerns over representation, inclusion, and social justice move from the margins to the centre of museum practice. While a growing number of institutions seek to reflect the diversity of their communities in exhibition-making, gaps remain in understanding applied appro...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Project Muse,
2020
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | MdBmJHUP | ||
| 005 | 20230905051955.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 200807s2020 enk o 00 0 eng d | ||
| 020 | |a 9781641892650 | ||
| 020 | |z 9781641892643 | ||
| 035 | |a (OCoLC)1182881157 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 050 | 4 | |a N408 |b .F745 2020 | |
| 082 | 0 | |a 708 |2 23 | |
| 100 | 1 | |a French, Jade, |e author. | |
| 245 | 1 | 0 | |a Inclusive Curating in Contemporary Art : |b A Practical Guide / |c by Jade French. |
| 264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2020 | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (140 pages): |b illustrations (some color). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Collection development, cultural heritage, and digital humanities | |
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 504 | |a Includes bibliographical references (pages [113]-126). | ||
| 505 | 0 | |a Facilitating research -- Finding the "big idea" -- Acquiring artwork -- Developing interpretation -- Installation and exhibition. | |
| 506 | |a Access restricted to authorized users and institutions. | ||
| 520 | |a Recent decades have witnessed concerns over representation, inclusion, and social justice move from the margins to the centre of museum practice. While a growing number of institutions seek to reflect the diversity of their communities in exhibition-making, gaps remain in understanding applied approaches and practices. This book presents the inclusion of new voices and perspectives into the museum via "inclusive curating," a facilitated process empowering a wide demographic of people to become curators. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Social integration. | |
| 650 | 0 | |a Modern art |y 21st century |x Collectors and collecting. | |
| 650 | 0 | |a Art museums |x Curatorship. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse, |e distributor. | |
| 776 | 1 | 8 | |i Print version: |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/77256/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2020 Complete | ||
| 945 | |a Project MUSE - 2020 Global Cultural Studies | ||