Postcinematic Vision : The Coevolution of Moving-Image Media and the Spectator /

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"A study of how film has continually intervened in our sense of perception, with far-ranging insights into the current state of lived experience How has cinema transformed our senses, and how does it continue to do so? Positing film as a stage in the long coevolution of human consciousness and...

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Bibliographic Details
Main Author: Cook, Roger F., 1948- (Author)
Format: Electronic eBook
Language:Inglés
Published: Minneapolis : University of Minnesota Press, [2020]
Series:Book collections on Project MUSE.
Subjects:
Visual perception.
Mass media > Philosophy.
Mass media > Audiences.
Digital media.
Cinematography.
PERFORMING ARTS > Film & Video > History & Criticism.
cinematography.
visual perception.
Cinema.
Medias numeriques.
Perception visuelle.
Medias > Publics.
Medias > Philosophie.
Motion pictures.
Electronic books.
Online Access:Texto completo
Table of Contents:
  • Introduction
  • Film and the embodied mind
  • Technogenesis: the coevolution of the biological and technological
  • The phatic image of cinema--reassessed
  • "Consciousness is an epiphenomenon"
  • Dual temporalities of media and the mind
  • Postcinematic reflections on spectatorship
  • Film transforms the media landscape
  • Film as prosthetic visual consciousness
  • Mechanized culture and the moving image
  • Remediation: the convergence of film and writing
  • Film and the tyranny of writing: Franz Kafka
  • Cinema and the digital image
  • Intermedial constructions of cinema's virtual reality
  • Digital mediations of movement, space, and time
  • Cinema and singular consciousness
  • Conclusion.

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