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Unnamable : The Ends of Asian American Art /

Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way f...

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Detalles Bibliográficos
Autor principal: Min, Susette S. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : New York University Press, [2018]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Unnamable :   |b The Ends of Asian American Art /   |c Susette Min. 
264 1 |a New York :  |b New York University Press,  |c [2018] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©[2018] 
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505 0 |a Introduction: lingering thoughts on the last Asian American exhibition in the whole entire world -- Unnamable encounters: a phantom history of multicultural and Asian American art exhibitions, 1990-2008 -- Formal actions: reevaluating the "cultural work" of Tehching Hiseh, Byron Kim, and Simon Leung -- Gleaning the art practices of Simon Leung and Mary Lum -- The vanishing acts of Nikki S. Lee and Tehching Hsieh. 
520 |a Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen--its greater visibility--and more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as "exemplary" instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself.--ProQuest 
588 |a Description based on print version record. 
650 7 |a Curatorship.  |2 fast  |0 (OCoLC)fst01893397 
650 7 |a Asian American art.  |2 fast  |0 (OCoLC)fst00818564 
650 7 |a ART  |x Subjects & Themes  |x General.  |2 bisacsh 
650 6 |a Conservation. 
650 6 |a Art americain (asiatique)  |v Expositions. 
650 6 |a Art americain (asiatique)  |x Themes, motifs. 
650 0 |a Curatorship. 
650 0 |a Asian American art  |v Exhibitions. 
650 0 |a Asian American art  |x Themes, motives. 
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945 |a Project MUSE - Archive Complete Supplement IX 
945 |a Project MUSE - Archive Literature Supplement IX 
945 |a Project MUSE - Archive Asian and Pacific Studies Supplement VIII