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Picturing Worlds : Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature /
"Picturing Worlds examines the uses that a range of Anishinaabe authors make of art and artists. It examines the ways these authors establish frameworks for continuity, resistance, and sovereignty in that "space" where conventional narratives of settlement read rupture"--
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
East Lansing :
Michigan State University Press,
[2020]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_73055 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905051529.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 200209s2020 miu o 00 0 eng d | ||
| 020 | |a 9781609176266 | ||
| 020 | |z 9781611863529 | ||
| 020 | |z 9781628953886 | ||
| 020 | |z 9781628963892 | ||
| 035 | |a (OCoLC)1139651799 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Stirrup, David, |e author. | |
| 245 | 1 | 0 | |a Picturing Worlds : |b Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature / |c David Stirrup. |
| 264 | 1 | |a East Lansing : |b Michigan State University Press, |c [2020] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©[2020] | |
| 300 | |a 1 online resource (352 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a American Indian studies series | |
| 505 | 0 | |a Intro -- Contents -- Acknowledgments -- Introduction -- Chapter 1. An Indian Well Versed: (Con)Textualizing Anishinaabeakiing-George Copway and Jane Johnston Schoolcraft -- Chapter 2. X-ing Boundaries: Transmotion, Transformation, and the Art of Engaged Resistance in Contemporary Anishinaabe Poetics -- Chapter 3. Reckoning Beyond the Crossing/X-ing: Formal Diversity and Visual Sovereignty in Gordon Henry Jr.'s The Light People -- Chapter 4. Picturing Absence and Postcolonial Presence: Unsettling a Colonial Grammar in Selected Works by Louise Erdrich | |
| 505 | 0 | |a Chapter 5. So, How Can You Hear Stones and Pictures? Gerald Vizenor's Imagic Returns -- Chapter 6. Performance, Resistance: Countering the indian and Sovereign Aesthetics in Contemporary Anishinaabe Drama -- Conclusion -- Notes -- Bibliography -- Index | |
| 520 | |a "Picturing Worlds examines the uses that a range of Anishinaabe authors make of art and artists. It examines the ways these authors establish frameworks for continuity, resistance, and sovereignty in that "space" where conventional narratives of settlement read rupture"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Visual perception in literature. |2 fast |0 (OCoLC)fst01168077 | |
| 650 | 7 | |a Ojibwa literature. |2 fast |0 (OCoLC)fst01045123 | |
| 650 | 7 | |a Material culture in literature. |2 fast |0 (OCoLC)fst01011754 | |
| 650 | 7 | |a LITERARY CRITICISM / General |2 bisacsh | |
| 650 | 6 | |a Litterature ojibwa |x Histoire et critique. | |
| 650 | 6 | |a Perception visuelle dans la litterature. | |
| 650 | 6 | |a Culture materielle dans la litterature. | |
| 650 | 0 | |a Ojibwa literature |x History and criticism. | |
| 650 | 0 | |a Visual perception in literature. | |
| 650 | 0 | |a Material culture in literature. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/73055/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2020 Complete | ||
| 945 | |a Project MUSE - 2020 Literature | ||
| 945 | |a Project MUSE - 2020 Native American and Indigenous Studies | ||