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It Will Be Fun and Terrifying : Nationalism and Protest in Post-Soviet Russia /

"The National Bolshevik Party, founded in the mid-1990s by Eduard Limonov and Aleksandr Dugin, began as an attempt to combine radically different ideologies: bolshevism and nationalism. In the years that followed, Limonov, Dugin, and the movements they led underwent dramatic shifts that eventua...

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Detalles Bibliográficos
Autor principal: Fenghi, Fabrizio (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Madison, Wisconsin : The University of Wisconsin Press, [2020]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a It Will Be Fun and Terrifying :   |b Nationalism and Protest in Post-Soviet Russia /   |c Fabrizio Fenghi. 
264 1 |a Madison, Wisconsin :  |b The University of Wisconsin Press,  |c [2020] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©[2020] 
300 |a 1 online resource (312 pages). 
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505 0 |a "The power of the state should be in the hands of the punks": the literary origins of a protest movement -- Making post-Soviet counterpublics: the aesthetics of Limonka and the National-Bolshevik Party -- Bohemianism, political militancy, and resistance to modernity: The NBP as social practice -- Aleksandr Dugin's conservative postmodernism -- A conservative Boheme: the Eurasia movement as an aesthetic-political project. 
520 |a "The National Bolshevik Party, founded in the mid-1990s by Eduard Limonov and Aleksandr Dugin, began as an attempt to combine radically different ideologies: bolshevism and nationalism. In the years that followed, Limonov, Dugin, and the movements they led underwent dramatic shifts that eventually led to the support of Putin's conservative, imperialist regime over social justice and fundamental civil liberties. To illuminate the role of these right-wing ideas in contemporary Russian society, Fabrizio Fenghi examines the public pronouncements and aesthetics of this influential movement. He analyzes a diverse range of media, including novels, art exhibitions, performances, seminars, punk rock concerts, and even protest actions. His interviews with key figures reveal an attempt to create an alternative intellectual class, or a "counter-intelligensia." This volume shows how certain forms of art can transform into political action through the creation of new languages, institutions, and modes of collective participation"--  |c Provided by publisher 
588 |a Description based on print version record. 
600 1 7 |a Limonov, Ėduard.  |2 fast  |0 (OCoLC)fst00046344 
600 1 7 |a Dugin, Aleksandr.  |2 fast  |0 (OCoLC)fst00350592 
600 1 0 |a Dugin, Aleksandr. 
600 1 0 |a Limonov, Ėduard. 
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650 7 |a Protest movements.  |2 fast  |0 (OCoLC)fst01079826 
650 7 |a Politics and literature.  |2 fast  |0 (OCoLC)fst01069960 
650 7 |a Politics and government.  |2 fast  |0 (OCoLC)fst01919741 
650 7 |a Nationalism.  |2 fast  |0 (OCoLC)fst01033832 
650 7 |a Art  |x Political aspects.  |2 fast  |0 (OCoLC)fst00815309 
650 7 |a HISTORY  |x General.  |2 bisacsh 
650 6 |a Politique et litterature  |z Russie. 
650 6 |a Art  |x Aspect politique  |z Russie. 
650 6 |a Contestation  |z Russie. 
650 6 |a Nationalisme  |z Russie. 
650 0 |a Politics and literature  |z Russia (Federation) 
650 0 |a Art  |x Political aspects  |z Russia (Federation) 
650 0 |a Protest movements  |z Russia (Federation) 
650 0 |a Nationalism  |z Russia (Federation) 
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945 |a Project MUSE - 2020 Russian and East European Studies