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100414s2006 mau o 00 0 eng d |
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|a 9781684174362
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|z 1684174368
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|z 9780674021464
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|a (OCoLC)1227051045
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|a MdBmJHUP
|c MdBmJHUP
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|a Widmer, Ellen,
|e author.
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|a The Beauty and the Book :
|b Women and Fiction in Nineteenth-Century China /
|c Ellen Widmer.
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|a Cambridge, Mass. :
|b Distributed by Harvard University Press,
|c 2006.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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|c ©2006.
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|a 1 online resource (436 pages):
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Harvard East Asian monographs ;
|v 268
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|a Introduction: From the seventeenth to the nineteenth century -- pt. I. Contiguities: Women, fiction, and print culture circa 1830. The women of Jinghua yuan ; Hou Zhi and "Women's Tanci" ; Fiction in three prominent women's lives ; Fiction as women's literature: the view circa 1830 -- pt. II. Continuities: Honglou meng ying in its nineteenth-century setting. Honglou meng ying in biographical and literary perspectives ; Honglou meng sequels and their female readers ; Women, publishing, and late Qing literary currents -- Afterword: Women and "The rise of the novel" in China -- Appendixes: A. Three generations of women ; B. Three poems in translation.
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|a "Chinese women entered the book trade in significant numbers in the late sixteenth century, when it became acceptable for women from "good families" to write poetry and seek to publish their collected poems. At about the same time, a boom in the publication of fiction began, and semiprofessional novelists emerged." "This study begins with three case studies, each of which probes one facet of the relationship between women and fiction in the early nineteenth century. It examines in turn the prefaces written by four women for a novel about women; the activities of a woman editor and writer of fiction; and writings on fiction by three leading literary women. Building on these case studies, the second half of the book focuses on the many sequels to the Dream of the Red Chamber, one of which was demonstrably written by a woman, and the significance of this novel for women. As Ellen Widmer shows, by the end of the century, women were becoming increasingly involved in the novel as critical readers, writers, and editors. And if women and their relationship to fiction changed over the nineteenth century, the novel changed as well, not the least in its growing recognition of the importance of female readers."--Jacket.
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|a Description based on print version record.
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650 |
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7 |
|a Kinesiska romaner
|x historia
|y 1800-talet.
|2 sao
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650 |
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7 |
|a Kinesiska romaner
|x kvinnliga författare
|x historia.
|2 sao
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650 |
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7 |
|a Publicering.
|2 kao
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650 |
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7 |
|a Publik.
|2 kao
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650 |
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7 |
|a Poesi.
|2 kao
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650 |
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7 |
|a Romaner.
|2 kao
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650 |
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7 |
|a Litteraturvetenskap
|x författare
|z Kina
|y 1800-talet.
|2 kao
|
650 |
|
7 |
|a Frauenliteratur
|2 gnd
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650 |
|
7 |
|a Chinesisch
|2 gnd
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650 |
|
7 |
|a Women authors, Chinese.
|2 fast
|0 (OCoLC)fst01177241
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650 |
|
7 |
|a Chinese fiction
|x Women authors.
|2 fast
|0 (OCoLC)fst00857374
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650 |
|
7 |
|a Chinese fiction.
|2 fast
|0 (OCoLC)fst00857362
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650 |
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7 |
|a LITERARY CRITICISM
|x Women Authors.
|2 bisacsh
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650 |
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6 |
|a Écrivaines chinoises
|y 19e siecle.
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650 |
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6 |
|a Roman chinois
|y 19e siecle
|x Histoire et critique.
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650 |
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6 |
|a Écrits de femmes chinois
|x Histoire et critique.
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650 |
|
6 |
|a Roman chinois
|x Histoire et critique.
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650 |
|
0 |
|a Women authors, Chinese
|y 19th century.
|
650 |
|
0 |
|a Chinese fiction
|y 19th century
|x History and criticism.
|
650 |
|
0 |
|a Chinese fiction
|x Women authors
|x History and criticism.
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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651 |
|
7 |
|a Chinesisch.
|2 swd
|
655 |
|
7 |
|a Electronic books.
|2 local
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710 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/72826/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement IX
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945 |
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|a Project MUSE - Archive Literature Supplement IX
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945 |
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|a Project MUSE - Archive Asian and Pacific Studies Supplement VIII
|