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Staging art and Chineseness : The politics of trans/nationalism and global expositions /

This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which...

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Detalles Bibliográficos
Autor principal: Davidson, Jane Chin (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2020.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781526139795 
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035 |a (OCoLC)1132216419 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Davidson, Jane Chin,  |e author. 
245 1 0 |a Staging art and Chineseness :   |b The politics of trans/nationalism and global expositions /   |c Jane Chin Davidson. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2020. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2020. 
300 |a 1 online resource (224 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Rethinking art's histories 
505 0 |a Front Matter -- Dedication -- Contents -- List of plates and figures -- Acknowledgements -- Introduction: staging art and Chineseness -- Chineseness as a theoretical, historical, and political problem in global art and exhibition -- Patty Chang and the transnational cinematic subject of Chineseness -- Environment, labor, and video: (eco)feminist interpellations of Chineseness in the work of Yuk King Tan, Cao Fei, and Wu Mali -- The dialectical image of empire -- The archive of Chineseness: the global exposition and the museum -- Select bibliography -- Index 
520 8 |a This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist's residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book's case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation. 
588 |a Description based on print version record. 
650 7 |a Video art.  |2 fast  |0 (OCoLC)fst01166389 
650 7 |a Art  |x Exhibition techniques.  |2 fast  |0 (OCoLC)fst00815237 
650 7 |a Art, Chinese.  |2 fast  |0 (OCoLC)fst00816103 
650 6 |a Art chinois  |v Expositions. 
650 6 |a Art video  |z Chine  |v Expositions. 
650 6 |a Art  |x Expositions  |x Aspect politique. 
650 6 |a Art chinois. 
650 6 |a Art  |x Techniques d'exposition. 
650 6 |a Art video  |z Chine  |x Expositions. 
650 0 |a Art, Chinese. 
650 0 |a Art  |x Exhibition techniques. 
650 0 |a Art, Chinese  |v Exhibitions. 
650 0 |a Video art  |z China  |v Exhibitions. 
651 7 |a China.  |2 fast  |0 (OCoLC)fst01206073 
655 7 |a Exhibition catalogs.  |2 fast  |0 (OCoLC)fst01424028 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/72224/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2020 Complete 
945 |a Project MUSE - 2020 Film, Theater and Performing Arts 
945 |a Project MUSE - 2020 Asian and Pacific Studies