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00000cam a22000004a 4500 |
| 001 |
musev2_71869 |
| 003 |
MdBmJHUP |
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20230905051414.0 |
| 006 |
m o d |
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190209r20192019pau o 00 0 eng d |
| 010 |
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|z 2018053189
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| 020 |
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|a 9780271084305
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| 035 |
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|a (OCoLC)1103917804
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| 040 |
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|a MdBmJHUP
|c MdBmJHUP
|
| 245 |
0 |
0 |
|a Art and Form :
|b From Roger Fry to Global Modernism /
|c Sam Rose
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| 264 |
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1 |
|a University Park, Pennsylvania :
|b The Pennsylvania State University Press,
|c [2019]
|
| 264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2021
|
| 264 |
|
4 |
|c ©[2019]
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| 300 |
|
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|a 1 online resource (224 pages).
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
|
| 490 |
0 |
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|a Refiguring modernism
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| 505 |
0 |
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|a Form and modernist aesthetics on or about 1910 -- The science of art criticism after the 1910s -- Mass civilization and minority visual culture -- Design theory and Marxist art writing : for and against mass culture -- Modernism and form in Africa, Britain, and South Asia
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| 520 |
8 |
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|a Explores the rise of formalism in the visual arts. Employs an expanded sense of form to rethink a range of areas, including the history of writing about art, constructions of high and low culture, and the idea of global modernism"--Provided by publisher
|
| 588 |
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|a Description based on print version record.
|
| 650 |
|
7 |
|a Formalism (Art)
|2 fast
|0 (OCoLC)fst00932940
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| 650 |
|
7 |
|a Art
|x Philosophy.
|2 fast
|0 (OCoLC)fst00815307
|
| 650 |
|
7 |
|a Art criticism.
|2 fast
|0 (OCoLC)fst00815492
|
| 650 |
|
0 |
|a Art criticism.
|
| 650 |
|
0 |
|a Art
|x Philosophy.
|
| 650 |
|
0 |
|a Formalism (Art)
|
| 655 |
|
7 |
|a Electronic books.
|2 local
|
| 700 |
1 |
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|a Rose, Sam,
|c (Art historian),
|e author
|
| 710 |
2 |
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|a Project Muse.
|e distributor
|
| 830 |
|
0 |
|a Book collections on Project MUSE.
|
| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/71869/
|
| 945 |
|
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|a Project MUSE - Custom Collection
|
| 945 |
|
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|a Project MUSE - 2019 Complete Supplement
|
| 945 |
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|a Project MUSE - 2019 Global Cultural Studies Supplement
|