The Witch's Flight : The Cinematic, the Black Femme, and the Image of Common Sense /

Afficher d'autres versions (2)

Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--Not just as a phenomenon confined to moving-image m...

Description complète

Détails bibliographiques
Auteur principal: Keeling, Kara, 1971- (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Durham : Duke University Press, 2007.
Collection:Book collections on Project MUSE.
Sujets:
Sex role in motion pictures.
Sex in motion pictures.
Race in motion pictures.
Queer theory.
Butch and femme (Lesbian culture) in motion pictures.
Theorie queer.
Race au cinema.
Sexualite au cinema.
Rôle selon le sexe au cinema.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Introduction : Another litany for survival
  • The image of common sense
  • In the interval
  • "In order to move forward" : common-sense Black Nationalism and Haile Gerima's Sankofa
  • "We'll just have to get guns and be men" : the cinematic appearance of Black revolutionary women
  • "A black belt in bar stool" : blaxploitation, surplus, and The L Word
  • "What's up with that? She don't talk?" : Set It Off's Black lesbian butch-femme
  • Reflections on the Black femme's role in the (re)production of cinematic reality : the case of Eve's Bayou.

Documents similaires