Appropriating Blackness : Performance and the Politics of Authenticity /

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A consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity.

Detalles Bibliográficos
Autor principal: Johnson, E. Patrick, 1967- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham [N.C.] : Duke University Press, 2003.
Colección:Book collections on Project MUSE.
Temas:
action (art) > Afro-americain (peuple) > culture > Etats-Unis.
Erziehung
Kultur
Race relations.
Performing arts > Social aspects.
Performing arts > Political aspects.
African Americans > Race identity.
African Americans > Intellectual life.
African Americans in popular culture.
BIOGRAPHY & AUTOBIOGRAPHY > Cultural Heritage.
SOCIAL SCIENCE > Ethnic Studies > African American Studies.
Arts du spectacle > Aspect politique > États-Unis.
Arts du spectacle > Aspect social > États-Unis.
Authenticite (Philosophie) > Aspect politique > États-Unis.
Noirs americains dans la culture populaire.
Noirs americains > Vie intellectuelle.
Noirs americains > Identite ethnique.
Performing arts > Political aspects > United States.
Performing arts > Social aspects > United States.
Authenticity (Philosophy) > Political aspects > United States.
Schwärze
USA
United States.
États-Unis > Relations raciales.
United States > Race relations.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • "Blackness" and authenticity : what's performance got to do with it?
  • The pot is brewing : Marlon Riggs' Black is ... Black ain't
  • Manifest faggotry : queering masculinity in African American culture
  • Mother knows best : Blackness and transgressive domestic space
  • "Nevah had uh cross word" : mammy and the trope of Black womanhood
  • Sounds of Blackness down under : the Cafe of the Gate of Salvation
  • Performance and/as pedagogy : performing Blackness in the classroom.

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