National Abjection : The Asian American Body Onstage /

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Explores the ways that playwrights and performers have dealt with the presentation of the Asian American body on stage, given the historical construction of Asian Americanness as abject and unpresentable.

Detalles Bibliográficos
Autor principal: Shimakawa, Karen, 1964- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2002.
Colección:Book collections on Project MUSE.
Temas:
Umschulungswerkstätten für Siedler und Auswanderer > Bitterfeld
Fürstliches Schauspielhaus > Bad Pyrmont
Asiaten.
Theater.
Theater
Asiaten
Racism in literature.
Race relations > Psychological aspects.
Race relations.
Performance art.
Orientalism.
Human body > Social aspects.
Asian Americans > Race identity.
Asian Americans > Ethnic identity.
American drama > Asian American authors.
Abjection in literature.
SOCIAL SCIENCE > Ethnic Studies > Asian American Studies.
Racisme dans la litterature.
Abjection dans la litterature.
Theâtre americain > Auteurs americains d'origine asiatique.
Orientalisme > États-Unis.
Americains d'origine asiatique > Identite ethnique.
Performance art > United States.
Orientalism > United States.
Human body > Social aspects > United States.
USA.
United States.
États-Unis > Relations raciales > Aspect psychologique.
États-Unis > Relations raciales.
United States > Race relations > Psychological aspects.
United States > Race relations.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • "It's not right for a body to know his own origins,"
  • "I should be-American!" Abjection and the Asian (American) Body
  • "The dance that's happening" Performance, Politics, and Asian American Theatre Companies
  • "We'come a Chinatowng, Folks!"Resisting Abjection
  • "I'll be here ... right where you left me" Mimetic Abjection/Abject Mimicry
  • "Whose history is this, anyway?" Changing Geographies in Ping Chong's East-West Quartet.

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