Segregating Sound : Inventing Folk and Pop Music in the Age of Jim Crow /

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Asks how the racialized genre divisions in American commerical music came into being, and how they became so entrenched, challenging the assumption of strict musical segregation in the late-19th-century rural South.

Détails bibliographiques
Auteur principal: Miller, Karl Hagstrom, 1968-
Format: Électronique eBook
Langue:Inglés
Publié: Durham [NC] : Duke University Press, 2010.
Collection:Book collections on Project MUSE.
Sujets:
Jump Jim Crow
Populaire muziek.
Zwarten.
Segregatie.
Folkmuziek.
Musik
Popular music.
Music and race.
Folk music.
African Americans > Segregation.
MUSIC > Genres & Styles > Blues.
MUSIC > Genres & Styles > Pop Vocal.
Noirs americains > Segregation.
Musique populaire > États-Unis (Sud) > 20e siecle.
Musique populaire > États-Unis (Sud) > 19e siecle.
Musique et race > États-Unis (Sud) > Histoire > 20e siecle.
Musique et race > États-Unis (Sud) > Histoire > 19e siecle.
Popular music > Southern States > 20th century.
Popular music > Southern States > 19th century.
Folk music > Southern States > History > 20th century.
Folk music > Southern States > History > 19th century.
Music and race > Southern States > History > 20th century.
Music and race > Southern States > History > 19th century.
Schwarze.
Zuidelijke staten.
USA > Südstaaten
Southern States.
History.
Electronic books.
Accès en ligne:Texto completo
Description
Résumé:Asks how the racialized genre divisions in American commerical music came into being, and how they became so entrenched, challenging the assumption of strict musical segregation in the late-19th-century rural South.
Description matérielle:1 online resource (384 pages).
ISBN:9780822392705

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