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Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt

Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist...

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Detalles Bibliográficos
Autor principal: Knox, Giles
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, 2019.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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035 |a (OCoLC)1126212575 
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100 1 |a Knox, Giles. 
245 1 0 |a Sense Knowledge and the Challenge of Italian Renaissance Art :   |b El Greco, Velázquez, Rembrandt 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c 2019. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2019. 
300 |a 1 online resource (272 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 0 |a Visual and Material Culture, 1300-1700 Ser. 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t Acknowledgements --  |t List of Illustrations --  |t Introduction: Polemics of Painting --  |t Part One. Origin Stories and the Challenge of Italy --  |t 1. El Greco: Italy, Crete, Toledo --  |t 2. From El Greco to Velázquez: Juan Bautista Maíno --  |t Part Two. Illusion, Materiality, Touch --  |t 3. Velázquez and Inversion: Making and Illusion --  |t 4. Vulcan, Mars, and Venus: Erotic Touch --  |t 5. Late Rembrandt I: Texture and the Skilled Touch --  |t 6. Late Rembrandt II: Feeling with the Eyes --  |t Conclusion --  |t Bibliography --  |t About the Author --  |t Index 
520 |a Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art, and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted. 
546 |a In English. 
588 |a Description based on print version record. 
600 1 7 |a Velázquez, Diego,  |d 1599-1660.  |2 fast  |0 (OCoLC)fst00037140 
600 0 7 |a Rembrandt Harmenszoon van Rijn,  |d 1606-1669.  |2 fast  |0 (OCoLC)fst00047043 
600 0 7 |a Greco,  |d 1541?-1614.  |2 fast  |0 (OCoLC)fst00074757 
600 0 0 |a Rembrandt Harmenszoon van Rijn,  |d 1606-1669  |x Criticism and interpretation. 
600 1 0 |a Velázquez, Diego,  |d 1599-1660  |x Criticism and interpretation. 
600 0 0 |a Greco,  |d 1541?-1614  |x Criticism and interpretation. 
650 7 |a Painting, Renaissance  |x Italian influences.  |2 fast  |0 (OCoLC)fst01051058 
650 7 |a ART  |x History  |x Renaissance.  |2 bisacsh 
650 0 |a Painting, Renaissance  |x Italian influences. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/70542/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2019 Complete Supplement 
945 |a Project MUSE - 2019 Global Cultural Studies Supplement