|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_70542 |
003 |
MdBmJHUP |
005 |
20230905051255.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
191102s2019 ne o 00 0 eng d |
020 |
|
|
|a 9789048544585
|
035 |
|
|
|a (OCoLC)1126212575
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
100 |
1 |
|
|a Knox, Giles.
|
245 |
1 |
0 |
|a Sense Knowledge and the Challenge of Italian Renaissance Art :
|b El Greco, Velázquez, Rembrandt
|
264 |
|
1 |
|a Amsterdam :
|b Amsterdam University Press,
|c 2019.
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2021
|
264 |
|
4 |
|c ©2019.
|
300 |
|
|
|a 1 online resource (272 pages).
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
0 |
|
|a Visual and Material Culture, 1300-1700 Ser.
|
505 |
0 |
0 |
|t Frontmatter --
|t Table of Contents --
|t Acknowledgements --
|t List of Illustrations --
|t Introduction: Polemics of Painting --
|t Part One. Origin Stories and the Challenge of Italy --
|t 1. El Greco: Italy, Crete, Toledo --
|t 2. From El Greco to Velázquez: Juan Bautista Maíno --
|t Part Two. Illusion, Materiality, Touch --
|t 3. Velázquez and Inversion: Making and Illusion --
|t 4. Vulcan, Mars, and Venus: Erotic Touch --
|t 5. Late Rembrandt I: Texture and the Skilled Touch --
|t 6. Late Rembrandt II: Feeling with the Eyes --
|t Conclusion --
|t Bibliography --
|t About the Author --
|t Index
|
520 |
|
|
|a Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art, and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted.
|
546 |
|
|
|a In English.
|
588 |
|
|
|a Description based on print version record.
|
600 |
1 |
7 |
|a Velázquez, Diego,
|d 1599-1660.
|2 fast
|0 (OCoLC)fst00037140
|
600 |
0 |
7 |
|a Rembrandt Harmenszoon van Rijn,
|d 1606-1669.
|2 fast
|0 (OCoLC)fst00047043
|
600 |
0 |
7 |
|a Greco,
|d 1541?-1614.
|2 fast
|0 (OCoLC)fst00074757
|
600 |
0 |
0 |
|a Rembrandt Harmenszoon van Rijn,
|d 1606-1669
|x Criticism and interpretation.
|
600 |
1 |
0 |
|a Velázquez, Diego,
|d 1599-1660
|x Criticism and interpretation.
|
600 |
0 |
0 |
|a Greco,
|d 1541?-1614
|x Criticism and interpretation.
|
650 |
|
7 |
|a Painting, Renaissance
|x Italian influences.
|2 fast
|0 (OCoLC)fst01051058
|
650 |
|
7 |
|a ART
|x History
|x Renaissance.
|2 bisacsh
|
650 |
|
0 |
|a Painting, Renaissance
|x Italian influences.
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/70542/
|
945 |
|
|
|a Project MUSE - Custom Collection
|
945 |
|
|
|a Project MUSE - 2019 Complete Supplement
|
945 |
|
|
|a Project MUSE - 2019 Global Cultural Studies Supplement
|