Photography after Photography : Gender, Genre, History /

In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they s...

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Détails bibliographiques
Auteur principal: Solomon-Godeau, Abigail (Auteur)
Autres auteurs: Parsons, Sarah (Sarah Caitlin), 1971- (Éditeur intellectuel)
Format: Électronique eBook
Langue:Inglés
Publié: Durham : Duke University Press, 2017.
Collection:Book collections on Project MUSE.
Sujets:
Photography > Philosophy.
Photography, Artistic.
Feminism and art.
PHOTOGRAPHY > Criticism.
TECHNOLOGY & ENGINEERING > Imaging Systems.
PHOTOGRAPHY > Reference.
COMPUTERS > Digital Media > Photography.
art photography.
Feminisme et art.
Photographie > Philosophie.
Photographie artistique.
Electronic books.
Accès en ligne:Texto completo
Description
Résumé:In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography
Description matérielle:1 online resource (281 pages): illustrations (black and white)
ISBN:9780822373629

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