Trumpets in the Mountains : Theater and the Politics of National Culture in Cuba /

Afficher d'autres versions (1)

An ethnography exploring how the meaning of cubanía, or Cubanness, is generated in interactions between the state, ordinary Cubans, intellectuals, and artists and other cultural workers.

Détails bibliographiques
Auteur principal: Frederik, Laurie Aleen
Format: Électronique eBook
Langue:Inglés
Publié: Durham, N.C. : Duke University Press, 2012.
Collection:Book collections on Project MUSE.
Sujets:
CUBA
Arbeitertheater
Ländlicher Raum
Musikleben
Volkstheater
Kubanische Revolution
Kulturpolitik
Traveling theater.
Theater > Political aspects.
Rural conditions.
National characteristics, Cuban.
Cubans.
SOCIAL SCIENCE > Anthropology > Cultural.
PERFORMING ARTS > Theater > History & Criticism.
Cubains.
Theâtre ambulant > Cuba.
Theâtre > Aspect politique > Cuba.
Traveling theater > Cuba.
Theater > Political aspects > Cuba.
Cuba.
Cuba > Conditions rurales.
Cuba > Rural conditions.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Prologue : the red blood of Cuban identity
  • Introduction : more than just scenery
  • Revolution and revolutionary performance, or what happens when El Negrito, La Mulata, and El Gallego meet El Hombre Nuevo
  • Artists in the special period, option zero, and the hombre novísimo, or the heroic rescue of Liborio and Elpidio Valdes
  • Creative process and playmaking in Cumanayagua, or waiting for Atilio on the side of a country road
  • The inundation of Siguanea and Cuba, or the near drowning and rescue of Cuba's Godot
  • Cultural crusades and the unsung artists of Guantánamo, or how Don Quixote saves Humble Harriero from the devil
  • Storytellers and the story-told : voices from the zones of silence, or who wins the wager if the cockfight ends in a draw
  • Dramatic irony and Janus-faced nationalism, or the triumphant stage return of El Negrito and Mr. Smith.

Documents similaires