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Still Moving : Between Cinema and Photography /

A collection of essays that discuss the relationship of film and photography, with a focus on medium specificity.

Détails bibliographiques
Collectivité auteur: ebrary, Inc
Autres auteurs: Beckman, Karen Redrobe, 1971-, Ma, Jean, 1972-
Format: Électronique eBook
Langue:Inglés
Publié: Durham : Duke University Press, 2008.
Collection:Book collections on Project MUSE.
Sujets:
Accès en ligne:Texto completo
Table des matières:
  • I. BEYOND REFERENTIALITY. 1 What's the Point of an Index? or, Faking Photographs / Tom Gunning. "The Forgotten Image between Two Shots" : Photos, Photograms, and the Essayistic / Timothy Corrigan. 3 Structural Film: Noise / Juan A. Suárez
  • II. NATION, MEMORY, HISTORY. 4 An Essay on Calendar / Atom Egoyan. 5 Photography's Absent Times / Jean Ma. 6 The Idea of Still / Rebecca Baron, interviewed by Janet Sarbanes. 7 Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility / Karen Beckman. 8 Surplus Memories: From the Slide Show to the Digital Bulletin Board in Jim Mendiola's Speeder Kills / Rita Gonzalez
  • III. WORKING BETWEEN MEDIA. 9 Photography's Expanded Field / George Baker. 10 Weekend Campus / Nancy Davenport. 11 Aleph Beat: Wallace Berman between Photography and Film / Louis Kaplan. 12 Mental Images: The Dramatization of Psychological Disturbance / Zoe Beloff. 13 Concerning "the Photographic" / Raymond Bellour.