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Barbie's Queer Accessories /

She's skinny, white, and blond. She's Barbie--an icon of femininity to generations of American girls. She's also multiethnic and straight--or so says Mattel, Barbie's manufacturer. But, as Barbie's Queer Accessories demonstrates, many girls do things with Barbie never seen i...

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Detalles Bibliográficos
Autor principal: Rand, Erica, 1958-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 1995.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |z 9780822316206 
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035 |a (OCoLC)1139382689 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Rand, Erica,  |d 1958- 
245 1 0 |a Barbie's Queer Accessories /   |c Erica Rand. 
264 1 |a Durham :  |b Duke University Press,  |c 1995. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©1995. 
300 |a 1 online resource (224 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Series Q 
505 0 |a Contents -- Acknowledgments -- Introduction. On Our Backs, in Our Attics, on Our Minds -- Chapter One. Making Barbie -- Chapter Two. Older Heads on Younger Bodies -- Chapter Three. Barbie's Queer Adult Accessories -- Conclusion. On Our Backs, in Our Hands, on Our Broadsides -- Notes -- Index 
520 |a She's skinny, white, and blond. She's Barbie--an icon of femininity to generations of American girls. She's also multiethnic and straight--or so says Mattel, Barbie's manufacturer. But, as Barbie's Queer Accessories demonstrates, many girls do things with Barbie never seen in any commercial. Erica Rand looks at the corporate marketing strategies used to create Barbie's versatile (She's a rapper! She's an astronaut! She's a bride!) but nonetheless premolded and still predominantly white image. Rand weighs the values Mattel seeks to embody in Barbie--evident, for example, in her improbably thin waist and her heterosexual partner--against the naked, dyked out, transgendered, and trashed versions favored by many juvenile owners and adult collectors of the doll.Rand begins by focusing on the production and marketing of Barbie, starting in 1959, including Mattel's numerous tie-ins and spin-offs. These variations, which include the much-promoted multiethnic Barbies and the controversial Earring Magic Ken, helped make the doll one of the most profitable toys on the market. In lively chapters based on extensive interviews, the author discusses adult testimony from both Barbie "survivors" and enthusiasts and explores how memories of the doll fit into women's lives. Finally, Rand looks at cultural reappropriations of Barbie by artists, collectors, and especially lesbians and gay men, and considers resistance to Barbie as a form of social and political activism.Illustrated with photographs of various interpretations and alterations of Barbie, this book encompasses both Barbie glorification and abjection as it testifies to the irrefutably compelling qualities of this bestselling toy. Anyone who has played with Barbie--or, more importantly, thought or worried about playing with Barbie--will find this book fascinating. 
546 |a English. 
588 |a Description based on print version record. 
650 1 7 |a Homoseksuelen.  |2 gtt 
650 1 7 |a Populaire cultuur.  |2 gtt 
650 1 7 |a Barbiepoppen.  |2 gtt 
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650 7 |a Homosexuality.  |2 fast  |0 (OCoLC)fst00959755 
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650 7 |a Barbie dolls  |x Marketing.  |2 fast  |0 (OCoLC)fst00827468 
650 7 |a SOCIAL SCIENCE / Gay Studies  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x Cultural.  |2 bisacsh 
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945 |a Project MUSE - Custom Collection