Authentic Blackness : The Folk in the New Negro Renaissance /

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What constitutes "blackness" in American culture? And who gets to define whether or not someone is truly African American? Is a struggling hip-hop artist more "authentic" than a conservative Supreme Court justice? In Authentic Blackness J. Martin Favor looks to the New Negro Move...

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Détails bibliographiques
Auteur principal: Favor, J. Martin (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Durham [North Carolina] : Duke University Press, 1999.
Collection:Book collections on Project MUSE.
Sujets:
Race in literature.
Intellectual life.
Harlem Renaissance.
Group identity in literature.
American literature > African American authors.
American literature.
African Americans > Race identity.
African Americans in literature.
LITERARY CRITICISM > American > African-American.
Race dans la litterature.
Identite collective dans la litterature.
Noirs americains > Identite ethnique.
Noirs americains dans la litterature.
Litterature americaine > 20e siecle > Histoire et critique.
American literature > 20th century > History and criticism.
American literature > African American authors > History and criticism.
New York (State) > New York > Harlem.
Harlem (New York, N.Y.) > Intellectual life > 20th century.
Criticism, interpretation, etc.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • 1. Discourses of Black Identity: The Elements of Authenticity
  • 2. For a Mess of Pottage: James Weldon Johnson's Ex-Colored Man as (In)authentic Man
  • 3. "Colored; cold. Wrong somewhere.": Jean Toomer's Cane
  • 4. A Clash of Birthrights: Nella Larsen, the Feminine, and African American Identity
  • 5. Color, Culture, and the Nature of Race: George S. Schuyler's Black No More
  • 6. The Possibilities of Multiplicity: Community, Tradition, and African American Subject Positions

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