Red, White & Black : Cinema and the Structure of U.S. Antagonisms /

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"Red, White & Black is a provocative critique of socially engaged films and related critical discourse. Offering an unflinching account of race and representation, Frank B. Wilderson III asks whether such films accurately represent the structure of U.S. racial antagonisms. That structure, h...

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Détails bibliographiques
Auteur principal: Wilderson, Frank B., III, 1956- (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Durham, NC : Duke University Press, 2010.
Collection:Book collections on Project MUSE.
Sujets:
Universidad Sergio Arboleda
Bibel > Philemonbrief
Film.
Film > Gesellschaftskritik > USA.
Gesellschaftskritik > Film > USA.
Filmkritik > Rasse > USA.
Rasse > Filmkritik > USA.
Film > Motiv > Indianer > USA.
Film > Motiv > Schwarze > USA.
Film > Motiv > Rasse > USA.
Rasse > Motiv > Film > USA.
Minderheit > Motiv
Rasse > Motiv
Race in motion pictures.
Motion pictures.
Minorities in motion pictures.
Indians in motion pictures.
African Americans in motion pictures.
PERFORMING ARTS > Film & Video > History & Criticism.
PERFORMING ARTS > Film & Video > Reference.
ART > Film & Video.
Cinema > États-Unis > Histoire.
Indiens d'Amerique au cinema.
Noirs americains au cinema.
Race au cinema.
Minorites au cinema.
Motion pictures > United States > History.
USA.
Indianer > Motiv > Film > USA.
Schwarze > Motiv > Film > USA.
United States.
History.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • The ruse of analogy
  • The narcissistic slave
  • Fishing for Antwone
  • Cinematic unrest : Bush Mama and the Black Liberation Army
  • Absurd mobility
  • The ethics of sovereignty
  • Excess lack
  • The pleasures of parity
  • "Savage" Negrophobia
  • A crisis in the commons
  • Half-white healing
  • Make me feel good.

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