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On Site, In Sound : Performance Geographies in América Latina /
Focusing on the hemispheric circulation of South American musical cultures, Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound to perceptions and constructions of geographic space, showing how people can use music and sound to challenge and transform dominant c...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2018.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 170831t20182018ncu o 00 0 eng d | ||
| 010 | |z 2017041722 | ||
| 020 | |a 9780822372653 | ||
| 020 | |z 9780822368670 | ||
| 020 | |z 9780822368557 | ||
| 035 | |a (OCoLC)1143636243 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Dorr, Kirstie A., |d 1972- |e author. | |
| 245 | 1 | 0 | |a On Site, In Sound : |b Performance Geographies in América Latina / |c Kirstie A. Dorr. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2018. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2018. | |
| 300 | |a 1 online resource (256 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Refiguring American Music | |
| 505 | 0 | |a Introduction: Thinking site in sound -- Sounding place over time: on the sonic transits of "El condor pasa" -- Putumayo and its discontents: the Andean music industry as a world music geography -- (Inter)national stages, mujeres bravas, and the spatial politics of diaspora -- "You can't have a revolution without songs": neighborhood soundscapes and multiscalar activism in La Misicion -- Epilogue: Musical pirates, sonic debts, and future geographies of transit. | |
| 520 | |a Focusing on the hemispheric circulation of South American musical cultures, Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound to perceptions and constructions of geographic space, showing how people can use music and sound to challenge and transform dominant conceptions of place. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Music |x Social aspects. |2 fast |0 (OCoLC)fst01030444 | |
| 650 | 7 | |a Music |x Political aspects. |2 fast |0 (OCoLC)fst01030414 | |
| 650 | 7 | |a Music and globalization. |2 fast |0 (OCoLC)fst01030477 | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a MUSIC / Ethnomusicology |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 6 | |a Musique |z Amerique latine |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Aspect politique |z Amerique latine. | |
| 650 | 6 | |a Musique |x Aspect social |z Amerique latine. | |
| 650 | 6 | |a Musique et mondialisation |z Amerique latine. | |
| 650 | 0 | |a Music |z Latin America |x History and criticism. | |
| 650 | 0 | |a Music |x Political aspects |z Latin America. | |
| 650 | 0 | |a Music |x Social aspects |z Latin America. | |
| 650 | 0 | |a Music and globalization |z Latin America. | |
| 651 | 7 | |a Latin America. |2 fast |0 (OCoLC)fst01245945 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/69773/ |
| 945 | |a Project MUSE - Custom Collection | ||