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Lesbian Rule : Cultural Criticism and the Value of Desire /

With hair slicked back and shirt collar framing her young patrician face, Katherine Hepburn's image in the 1935 film Sylvia Scarlett was seen by many as a lesbian representation. Yet, Amy Villarejo argues, there is no final ground upon which to explain why that image of Hepburn signifies lesbia...

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Detalles Bibliográficos
Autor principal: Villarejo, Amy
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2003.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Villarejo, Amy. 
245 1 0 |a Lesbian Rule :   |b Cultural Criticism and the Value of Desire /   |c Amy Villarejo. 
264 1 |a Durham :  |b Duke University Press,  |c 2003. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2003. 
300 |a 1 online resource (246 pages):   |b illustrations 
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490 0 |a Next wave : new directions in women's studies 
505 0 0 |t 1. Lesbian Rule --  |t 2. Droits de Regards/Right of Inspection: For Agnes and Inez Albright --  |t 3. Archiving the Diaspora: A Lesbian Impression --  |t 4. Absolut Queer: Cuba and its Spectators --  |t 5. Forbidden Love: Pulp as Lesbian History --  |t Conclusion: Straight to Video. 
520 8 |a With hair slicked back and shirt collar framing her young patrician face, Katherine Hepburn's image in the 1935 film Sylvia Scarlett was seen by many as a lesbian representation. Yet, Amy Villarejo argues, there is no final ground upon which to explain why that image of Hepburn signifies lesbian or why such a cross-dressing Hollywood fantasy edges into collective consciousness as a lesbian narrative. Investigating what allows viewers to perceive an image or narrative as "lesbian," Villarejo presents a theoretical exploration of lesbian visibility. Focusing on images of lesbians in film, she analyzes what these representations contain and their limits. She combines Marxist theories of value with poststructuralist insights to argue that lesbian visibility operates simultaneously as an achievement and a ruse, a possibility for building a new visual politics and away of rendering static and contained what lesbian might mean. Integrating cinema studies, queer and feminist theory, and cultural studies, Villarejo illuminates the contexts within which the lesbian is rendered visible. Toward that end, she analyzes key portrayals of lesbians in public culture, particularly in documentary film. She considers a range of films - from documentaries about Cuba and lesbian pulp fiction to Exile Shanghai and The Brandon Teena Story - and, in doing so, brings to light a nuanced economy of value and desire 
546 |a English. 
588 |a Description based on print version record. 
650 1 7 |a Films.  |2 gtt 
650 1 7 |a Representatie (algemeen)  |2 gtt 
650 1 7 |a Lesbische liefde.  |2 gtt 
650 7 |a Lesbische Orientierung  |g Motiv  |2 gnd 
650 7 |a Marxist criticism.  |2 fast  |0 (OCoLC)fst01010966 
650 7 |a Lesbians  |x Identity.  |2 fast  |0 (OCoLC)fst00996559 
650 7 |a Lesbianism  |x Philosophy.  |2 fast  |0 (OCoLC)fst00996526 
650 7 |a Lesbian feminist theory.  |2 fast  |0 (OCoLC)fst00996484 
650 7 |a Culture  |x Semiotic models.  |2 fast  |0 (OCoLC)fst00885081 
650 7 |a SOCIAL SCIENCE Lesbian Studies.  |2 bisacsh 
650 6 |a Culture  |x Modeles semiotiques. 
650 6 |a Critique marxiste. 
650 6 |a Theorie feministe lesbienne. 
650 6 |a Lesbiennes  |x Identite. 
650 6 |a Lesbianisme  |x Philosophie. 
650 0 |a Culture  |x Semiotic models. 
650 0 |a Marxist criticism. 
650 0 |a Lesbian feminist theory. 
650 0 |a Lesbians  |x Identity. 
650 0 |a Lesbianism  |x Philosophy. 
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