Dust of the Zulu : Ngoma Aesthetics after Apartheid /
In Dust of the Zulu Louise Meintjes traces the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa. Contextualizing ngoma within South Africa's history of violence, migrant labor, the...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2017.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- The politics of participation in Ngoma song and dance
- Turning to be kissed: praise, flirtation, and the work of men
- The unwavering voice: affect, eloquence, and the moral anger of men
- Feet of the centipede: military aesthetics and the politics of reconciliation
- To quell the dancer's dust: singing violence during South Africa's transition
- The crossing: world music and Ngoma at home
- Dancing around disease: silence, ambiguity, and brotherhood
- The digital homestead: having a voice and the sound of marginalization
- Brokering the body: culture, heritage, and the pleasure of participation
- Closing: Ngoma's masculinity, South Africa's struggle.


